The Beast Pageant in Boston

About this time last Thursday, I was arriving in Boston. As an actor in The Beast Pageant, I was tagging along with filmmaker Albert and costume designer Vanessa to The Boston Underground Film Festival (BUFF). The Beast Pageant's artistic dream-logic metaphor was just barely appropriate for the horror-and-gore territory covered by the festival.

The opening-night screening was Hobo With a Shotgun at The Kendall Square Cinema (1 Kendall Sq., Cambridge, MA) — where all the rest of the films would be screened. I found "Hobo" fantastic — a 1980's action-exploitation film with Rutger Hauer, no less, in the lead role as a hobo trying to make ends meet but cornered into violent action. The bad guys are played with comic-absurd gusto as all parties are supported by a tongue-in-cheek script.

Afterward, that night's part was at T.T. the Bear's Place (10 Brookline Pl., Cambridge, MA), right around the corner from Middle East Restaurant and Nightclub (472 Massachusetts Ave., Cambridge, MA). There were several bands and The Whore Church was performing live video mixing. Unfortunately it wasn't much of a place to chat (nor was there food) so we went to the Middle East for dinner which was pretty good. We weren't particularly impressed by T.T.'s as service was blasé and drinks were expensive ($2.50 for a soda, really? — but I guess that's Boston for you.) We got the last train on the Red Line to get home around 12:15 a.m.

On Friday we headed to The Gallery Diner (11 P St., South Boston, MA) which was fantastic. We made smalltalk with the friendly owners Paul and Colleen and the food was great. Exploring the Harvard Square area, we stopped at a few record and comic stores and I got an excellent fresh, locally-produced shake at the regional fast-food chain b.good (24 Dunster St., Cambridge, MA).

I checked out the "BUFF Family Values" short film program back at the festival and was pleased with all the films — some disturbing, some powerful, some funny, and some just strange. Later that night, we all saw Machete Maidens Unleashed which was a pretty decent documentary about the Philippine exploitation film industry in the 1970's and 1980's. I opted to see the 1973 film The Twilight People which was made in the Philippines during that era — a terrible film by nearly all counts. I recall listening to the dialog and thinking, "I wish they'd stop talking" and a scene later when they were walking through the jungle, "I wish there was more dialog". It was astounding to me that someone put this film together and decided they were done — continuity, plot, editing, and special effects came second to, well, cost, I guess.

Saturday started with an acceptable breakfast at Mul's Diner (75 W. Broadway, South Boston, MA). From there we went straight to the festival to catch "OMFG LMFAO!" and "Psychedelicinema" — a pair of shorts programs. The first offered a few chuckles but we didn't find it all that funny. The second was, in my opinion, a little better, but it was really abstract films and not psychedelic. We stayed for about half the program, skipping out partway through the 30-minute final film.

Between screenings I met Josh MacDonald, writer of The Corridor. I skipped the "Where the Music's At" music-videos short program, to see Josh's film. It was really excellent: evenly paced and gradually asking for suspended disbelief at the increasingly paranormal activity ensuing on screen. Despite its evenness, it delves into some extremely dark and gruesome territory — I found it highly successful.

We had a break and got to hang out (finally!) with other filmmakers at The Friendly Toast (1 Kendall Sq., Cambridge, MA) — and the only event to include free food. [I realize I'm knocking the festival for lackluster treatment of out-of-town guests, but I also know they're running on a shoestring budget and just didn't plan things out very well for us.] We finished the day with a pleasant at-home dinner with friends and family.

Sunday I met with my college friends at The Daily Catch (441 Harvard St., Brookline, MA). In 2002 I went to The Daily Catch (323 Hanover St., Boston, MA) and loved it, so I had to go back. The location in Brookline is bigger so Jan, Griffin, John, Michelle, Rob, Kevin, and myself could comfortably fit. Unfortunately they didn't open until 2 so we dawdled on the street, hanging out at the super cool Irving's Toy and Card Shop (371 Harvard St., Brookline, MA). At lunch I had the pistacio-encrusted swordfish which was fantastic. Everyone had a good meal for sure. We stayed and talked for a couple hours then Kevin and I headed back to the festival.

We got there a bit early and had plenty of time to get into the big event (for us): the screening of The Beast Pageant (and on IMDb). About 40 people showed up to watch it and, as best I can tell, really enjoyed it. It was fun to be part of the question-and-answer panel.

Afterward was the closing night party at Tommy Doyle's Irish Pub and Restaurant (1 Kendall Sq., Cambridge, MA). (The festival runs once during the weekend, and then nearly all the films are repeated during the week, making it possible to actually see every screening.) I had a celebratory shot of 18-year-old Glenlivet scotch — my first alcoholic drink since the beginning of December when I quit (I permit myself a rare taste of something extraordinary, or under truly extraordinary circumstances.) The Beast Pageant won a runner-up "Director's Choice" award for best feature.

On Monday things got amusing. We got up for breakfast and I headed out around 11:05 to get the train back home. We had been averaging 15 minutes to get to the South Station where I was to get the train, but today buses were running on a half-hour schedule rather than every 10 minutes. I called for a taxi around 11:30 and was promised one immediately; I passed on boarding a bus that arrived shortly after. Alas, the cab didn't show up in time. I took the next bus and got to the Amtrak station (Summer St. and Atlantic Ave., Boston, MA) about 20 minutes late — if only I'd have hopped on that 11:30 bus. Alas, I traded my unclaimed ticket for one tomorrow. At least I got to see "Future Imperfect" — the science fiction short film program. It was okay but not great. Kevin was kind enough to let me stay at his place.

That night he and I went out and got dinner at Punjab Palace (109 Brighton Ave., Allston, MA) which really had great Indian cuisine. After that we went to see bands play at Charlie's Kitchen (10 Elliot St., Cambridge, MA). We were disappointed in the first act and headed to The Lizard Lounge (1667 Massachusetts Ave., Cambridge, MA) for an open-mic. That was a blast and we stayed quite late. We got back to his house and I slept on the futon couch.

I left when Kevin went to work, taking the T into the city packed with all the commuters. I found the Banksy graffiti art that Kevin mentioned off Essex Street then went to The South Street Diner (178 Kneeland St., Boston, MA) for breakfast. The staff was friendly and the breakfast burrito was quite good. I hung around and chatted for quite some time, arriving at the train station with plenty of time to spare.

I was happy to be on the train home. I arrived in Albany a little late but had about an hour before it left again, so my parents stopped by and we had a quick and decent Italian dinner at (if I remember right) Rudy's V & R Ristorante (483 Broadway, Rensselaer) across the tracks from the station. I was worried for a bit but got back in time to get back on the train home.

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Emerging Filmmakers Program #43

Ali and I went to The Little (240 East Ave.) for The Emerging Filmmakers Series. I got confirmation that The High Falls Film Festival is taking over The Rochester/High Falls International Film Festival, "Movies on a Shoestring", giving the amalgam festival a suitably clumsy title and changing from the November dates of High Falls to the May dates of the Shoestring festival. I'm concerned that the short films will get sidelined just as they are at High Falls even though I gather that this would have been Shoestring's 50th year. It would be nice if High Falls at least kept the short film screenings donations-only in the spirit of Shoestring.

Anyway, the short films tonight were quite good. It's too bad the Little puts so little effort into promoting the shows … there were barely 10 people in attendance.

A couple documentaries stood out this month. First, The Sacred Food by Jack Pettibone Riccobono was a well-done documentary about (quoting from the flyer) "the Ojibwe tribe in Northern Minnesota and the wild rice, manoomin, that they consider a sacred gift from the Creator and are trying to keep wild". It was interesting to see the response of tradition to modern issues like genetic modification. Scorza Bros by M. P. Mann was a fascinating documentary about a man who works in East Rochester as a taxidermist — for the last 60-some years — and how he accepts but can't quite reconcile that he's unwilling to kill an animal on his own.

Among the narratives, You Can Run by Jason J. CrossMySpace link was a good (althought — at times — it was poorly acted, filmed, directed, and audio-recorded) albeit a heavy-handed film about alcoholism and the dangers in ignoring your heart about it.

The show concluded with "Three Short Stories" by Sean Mullin. In the first, The 14th Morning, a soldier tries to reconcile an error in judgment on the battlefield. Next was Man is a Bridge where "a National Guard Captain spends his days guarding Manhattan's 59th Street Bridge from terrorist attacks and his nights performing stand-up comedy." It was a powerful look at a man who could easily be superficially dismissed by everyone he knows, but our god's-eye view gives us the full picture. Finally, Sadiq is about a couple American soldiers trying to transport a detainee, but one of them is trying to be fight his need to care and the other is fighting his frustration. In the end, tensions build to a head and the one soldiers tries to get the prisoner to confess to his crime — but neither understand the other's language.

All three were particularly excellent films. They were gritty, lifelike, and empathetic. Ali said that she was once again glad she came.

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