I went to the Dryden Theater at George Eastman House (900 East Ave.) to see Make Way for Tomorrow. Tamara Jenkins gave a brief introduction after Jim Healy — the film was influential when she was writing her own film, The Savages. I liked her breezy, run-on way of talking and identified with "guilty writer syndrome" where rather than writing the script for The Savages, she took a break to see Tôkyô monogatari (Tokyo Story) at a local film house, as it's on many "must-see" lists, particularly for filmmakers.
So upon watching it, she discovered it was based on a film from the 1930's: Make Way for Tomorrow (which, in turn, is based on a play and book). She and her husband sought to find a copy, and after exhausting film and video sources, they turned to eBay where they bought a VHS copy that was recorded on late-night TV, commercials-and-all. Presumably she got to see a private screening during her visit: she quipped that she has greatly enjoyed Rochester even though she's only seen it from the interior of the Dryden Theatre: she spent her time watching movies from the Eastman House archive.
Anyway, Make Way for Tomorrow was the saddest movie I ever saw. It starts out with a family of adult siblings being called to their parents' home. Their father explains that he failed to pay the mortgage and the house is being lost to foreclosure. His kids are relieved to find they have 6 months to vacate, but when they ask, he admits that the 6 months runs out in just a few days. The siblings try to accommodate their parents but all of them also try to maintain their own lives as if there were no disruption.
It's clear that all the parents (Bart and Lucy) want is to be together, but they have no means to do so on their own. Initially they're housed just a few hundred miles away on the East coast so they write letters to one another and rarely call (I guess they didn't have unlimited long distance). The siblings make a ditch effort to house their parents in the much more temperate climate of California with their sister. But when they find she is only willing to take care of Bart, they elect to put Lucy into a nursing home and send Bart alone.
The siblings are welcome their parents' meager request to spend one last day together. They spend it around New York — Bart still trying to find work to make ends meet. In lieu of dining with their children, they visit the hotel where they had their honeymoon and are welcomed by the staff. But alas, Bart's train is to leave and they get to the train station to say goodbye.
Just before Bart boards, he turns back to Lucy and says [pardon my paraphrasing], "and just in case there's a wreck or anything happens and I don't see you again, I just wanted to say that the last 50 years with you have been the best I could ever hope for." Lucy reciprocates — and it's abundantly clear that they will not ever see one another again.
I tried to explain the film to Ali when I got home but I broke down telling her about the last scenes. It's really unbelievable and deserves to be seen by many more people.
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