The Yes Men Fix the World at the Dryden

I left the show a little early to get to the Dryden Theater at George Eastman House (900 East Ave.) for a screening of The Yes Men Fix the World. I had been aware of some of the … umm … pranks? stunts? performance-art pieces? … created by The Yes Men for some time. I had recorded a segment on Democracy Now! back when I had satellite where they had convinced BBC News that they represented Dow Chemical and wanted to help fix the ongoing disaster created by their then-recently-purchased subsidiary, Union Carbide in Bhopal, India in 1984. The movie goes behind the scenes of how they got on the air and announced that in honor of the 20th anniversary of the disaster, Dow was committing billions of dollars (US$12 billion, if I remember correctly [and indeed, upon reviewing my copy of the interview on Democracy Now!, it was]) to help the people and clean up the site. By the end of the day, the hoax was revealed, and the largest complaint was not that Dow didn't step forward and do what was right and just (i.e. commit resources and fix things) but that the hoax cost Dow shareholders US$2 billion.

And that's essentially what The Yes Men are continually asking: why can't we make a world where corporations do the right thing? Their method of asking that question is to enter situations where they present themselves as members of corporations and announce that they are going to do the right thing.

I spent most of the movie saddened that these pranks never seem to have any effect: corporations continue to do the wrong thing, claiming that the increased profits are worth more than any real benefit.

But then I realized that no one person (or even large a group) can instantly make change. Rather, it is through the constant pressure of good that makes the world better. So when I left, I got on my tall bike (which, believe it or not, I made just over 5 years ago) and realized that we all need to make the world a better place. Even little things matter because all there is is little things.

Other/other/other and Jay Repp at Record Archive

I started out by heading to The Record Archive (33 1/3 Rockwood St.) to catch the in-store bands. First up was Jay Repp playing solo. I generally liked his acoustic-rock and modern-rock style, but I wasn't particularly drawn-in by it either. As before, I greatly liked other/other/other with their melodic trancey synthesized music. It just touches on dreamy and ethereal, but stays rooted in gently danceable beats.

Copy Writers Get the Last Laugh

Since I'm trying to lose the weight I gained last week getting stuffed (perhaps just in time for Thanksgiving when I'll put it back on again) I peeked at the Chocolate Mousse [flavored] Peeps label to see what I was getting into:

Very small cats, indeed.

Very small cats, indeed.

I guess the label copy writers got the last laugh on that one. In case you're wondering, they weren't half bad. They actually had a chocolaty flavor over the regular mushy dust flavor you expect of Peeps. Of course, I think I didn't read the whole label so I might have made a terrible mistake:

I ate decorations.

Let's hope it's also food.

A Visit to Tarpon Springs, Florida

Ali and I got a chance to get out of the house for a bit on our visit to her mom and step-dad in Florida to check out the local fauna. I searched the Internet for Pensacola's Mad HappyMySpace link (a band I've liked quite a bit and who I would expect to play in places I'd like to visit) to see if they had played anywhere in nearby Tarpon Springs.

They apparently had [although in a more thorough search, I don't think they did], so we went to The Neptune Lounge and CycleryMySpace link (13 S. Safford Ave., Tarpon Springs, FL): a bar/lounge by night and a bicycle shop by day (albeit next-door to one another) situated along The Pinellas Trail. We managed to hear the last song from the first band but got to see The Sound of ArmadaMySpace link who played a good variety of jammy modern rock with a distinctive country flair.

From there we went to The ZoneMySpace link (121 E. Tarpon Ave., Tarpon Springs, FL) which was a nightclub and lounge. I gather that the reggae-funk band on the nice outdoor patio was called Paris, and indoors, they were playing a typical dance DJ mix. It was almost like two clubs in one … something I guess I should expect from such a small town.

Running in Florida

I decided to go for a run while visiting Ali's family in Florida. I've been eating like it's Thanksgiving, and I realized last night that I couldn't pull it off more than one day in a row. So I went out for a 4-ish-mile run. Being accustomed to 35°F, temperatures approaching 80°F with a 70°F dew-point (thanks, Hurricane Ida), I needed all the extra water I had to finish up. Also, I noticed that there's a lot of dirt that ends up on the roads and sidewalks. I imagine it's because of dust from tires wearing down (my feet were much more black than at home), and because the lack of regular rain to wash it away.

TEDx Rochester

I know I've mentioned TED (Technology, Entertainment, Design): Ideas Worth Spreading quite a few times already, so when I heard there would be an independently-originated series here in Rochester, I couldn't help but go. They called it TEDx Rochester and held it at Geva (75 Woodbury Blvd.) My hopes were high, but I fully understood that not every lecturer would produce an astoundingly favorite lecture.

After a rocky start with the A/V system, Adam Frank got things started. He spoke about the artificiality of the conflict of science and religion. Basically his argument was that science enhances religion because it lets us see more of the world, and if you're a believer in a creator, seeing more of what was created is a good thing.

Larry Moss was next, speaking about his "Airigami": creating art with balloons. At first blush, the whole thing seems as thin as a metaphor using balloons would be if written here. But because the medium he uses is so accessible, he's able to create sculptures with people who don't even share a common language — and he has. Many times. On the one hand, it's astounding and on another, obvious. Definitely one to think about (and hopefully, a lecture that will be prominent on TED's own website).

I was also pleased by a performance by GEOMANTICS Dance Theatre who, like PUSH Physical Theatre, used an amalgam of the varied forms of physical performance to express ideas.

A nano-scale chemist and physicist Todd D. Krauss provided insight into some of his work (as several other lecturers did). Although I didn't find that his talk met my lofty expectation of an "idea worth spreading", he did bring up an interesting bit of new technology: cadmium-selenium nanoparticles. The fascinating thing about them is that they fluoresce different colors of light based on their size. As such, one can create whatever colors they want using the same material.

What he did not touch on that I wish he had was the ramifications of nanoparticles and organic life: specifically, isn't "little particles stuck through cell walls" one of those triggers for cancer? And while he dispelled the myth that artificially-intelligent nanobots will kill us, I think he did a disservice by neglecting to even approach the topic of nanoparticles doing damage in much more banal ways.

Finishing up the night was Geva Comedy ImprovMySpace link who, sadly, were not able to finish their performance in the time allotted.

Overall it was definitely worth it to take time off to see it. But I hope that in the future, things are a bit more refined.

Night of the Living Wedge

I had been working on a pig-head mask for quite a while, anticipating using it for a movie and for Halloween. Well, as Halloween approached, I buckled down and finished it. Since Ali and I were going to head to my cousin's wedding on Halloween night, I took the opportunity to join the Night of the Living Wedge Halloween Pub Crawl so I'd have a chance to show it off. I started a little late, so I decided to catch up with the crawl at Solera Wine BarMySpace link (647 South Ave.)

From there, we hit Lux LoungeMySpace link (666 South Ave.), The Tap and Mallet (381 Gregory St.), and The Keg (315 Gregory St., behind German House where Rohrbach's used to be) before finishing at Caverly's Pub (741 South Ave., formerly Genesee Co-op Credit Union). I was receiving great praise for my costume — partly because I had clarified what I was trying to be with the addition of some hospital-style scrubs and a "Hello, my name is" tag reading only "H1N1" … plus, the eyes would heartbeat-blink red, and I could hit a button so they'd brighten to a blaring blue-white. As it turned out, I won the darn costume contest. I spread around some holiday cheer, favoring a couple homemade costumes before heading home to pass out.

The MEETinROCHESTERMySpace link organizer snapped a picture that I'll unabashedly use here:

Jayce as H1N1 on Halloween

Jayce as H1N1 on Halloween

Autumn in Halifax, Part of Baby Shiver's Boutique, and The Leaky Boat Blues with Dr. Hamburger at the Bug Jar

I stopped by The Bug JarMySpace link (219 Monroe Ave.) for the show — one I was quite excited about. Dr . HamburgerMySpace link was providing projected video over the bands. Starting out was The Leaky Boat Blues which was Tim from A WonderfulMySpace link. He played some great acoustic that I really liked. Next was a nearly minimal version of Baby Shiver's BoutiqueMySpace link. I have to make it a point to see these guys more often — their "motley folk" music is enhanced by their singer's crystal clear and ever-so-melancholic voice. Finishing up the night was Autumn In HalifaxMySpace link — just Dave this time accompanied by the electronic-boxes form of the Leaves. His luscious, poetic acoustic rock always cracks open some inner creativity and I'm left longing for the night to never end.

Stefan Sagmeister at RIT

I thought 15 minutes was sufficiently early to arrive, but by the time I got to the The Caroline Werner Gannett Project, Ingle Auditorium at RIT (One Lomb Memorial Dr., campus map) was completely full and I had to watch a video-feed with another 60-or-so people in the 1829 Room next door. Designer Stefan Sagmeister was the speaker and he did indeed discuss Design and Happiness. You can get an idea of what the discussion was like through his similar TED lecture from a few years ago: Stefan Sagmeister shares happy design.

As I had expected, the lecture gave me some inspiration. I knew Sagmeister would comment on the tenuous balance of being creative — after all, he closes his design studio for a year in every five years to do non-work-related endeavors.

His observations on happiness reminded me of that which I often forget: that much of happiness is a temporary feeling. He divided it up into three layers: short-lived joy, mid-ranged satisfaction from accomplishment, and long-term fulfillment from pride in one's life. I forget that happiness at one layer is not experienced the same as at other layers: although my life philosophy has generally kept me fulfilled, that does not make me feel joyful in and of itself.

His lecture also reminded me that good design matters. It's good to have a world where we can feel pleasure, and we can feel pleasure from interacting with something well-designed. And by that, I mean everything. Like I think the Frederick Douglass — Susan B. Anthony Memorial Bridge (formerly the Troup-Howell Bridge) is a good design: it carries vehicles across the river just as effectively as a bridge that looks awful, but it has a certain elegance to its design that makes people feel good. On the other hand, The Monroe Community Hospital (435 E. Henrietta Rd.) is apparently having a chain-link fence erected around it: an ugly barrier that says, "we have problems with the likes of you entering our property" and makes people feel bad. And to think that everything in the world can effect a mood like that: wow.

Where is Fred Brown? and the Bogs Visionary Orchestra at Boulder

I headed to Boulder Coffee Co.MySpace link (100 Alexander St.) to catch the show there. When I got there, Where is Fred Brown? was already playing. Conceived as a three-piece with John ValentiMySpace link, Alfred Brown, and Paul BurkeMySpace link, it's temporarily named for the absence of its middle member. They played a great set of melodic trance-snyth. It had this nice dreamlike finish to it. I also stayed for The Bogs Visionary OrchestraMySpace link who played some excellent "new Americana", so-to-speak: rooted in Americana, but with a modern-rock presence. Unfortunately, the flu I'd been fighting for the past three days was getting the best of me and I didn't stay for Seth Faergolzia.