Author Archives: Jason Olshefsky

The 2013 Burning Man Report

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I left this post for quite some time, but after a New Year's Blog-Off Challenge on Facebook, I thought I'd wrap it up and post it. It's about how back in August 2013, Jenn and I headed to Burning Man.

We left on August 23 and got to Chicago on the 24th. We met with a friend of Jenn's and did a bit of a tour of Chicago before getting back on and—in a roomette sleeper—finished the journey to Reno. We met some nice people along the way, particularly at meals when we were seated with two strangers.

The train ran pretty much on-time and we arrived in Reno around 9 a.m. Pacific Daylight Time on Monday the 26th. There were quite a few other people heading to Burning Man on the train and most of them headed off quickly. We chatted with a couple stragglers and one of the guys had a friend in Reno who was going to pick him up. We asked if we could hitch a ride with him if he had space. He arrived with a gigantic van and transported Forrest, Jenn, and myself to the Save-Mart where we hung out for some time.

We bought provisions and met other people going to Burning Man—many from the U.S., but a small group from Italy. We dawdled around a bit and had pretty okay pizza from Pizza Baron before getting a cab ride to the airport—somewhat ironically to the airport "exit" and baggage claim area where the Burner Express bus was to pick us up. The process was relatively smooth and quick: we checked in, got tags for our wrists and for our bags, waited a bit, put our bags on a trailer, and boarded a bus.

The air conditioning wasn't working so well and I felt a bit frustrated at the slow rate we made it to Gerlach. A couple times the traffic stopped completely and we got out of the bus. When we arrived at Gerlach, things were a bit less organized. The gist was that everyone on the bus was to exit, then Burning Man staff would check that we had proof of tickets (and they could confirm will-call and provide a hard ticket right there) before boarding the bus to Black Rock City. One person said we'd have time to buy a bit of water, but as we walked over, someone called out to get on the bus. We got on then had to get off again because it was not our bus. Eventually things got straightened out and we got on the same bus we arrived by (our bus was one of a few that had the ability to close the air-conditioning intake vents on the bottom of the bus; otherwise we'd be on a school bus.)

The great feature of the Burner Express bus was revealed when we turned away from the gate line into a special lane, passing several miles of cars 10 lanes wide. Random (the greeter) checked our tickets and we were on our way into the city. We arrived just before sunset and, oddly enough, the very same bus was our shuttle. We got our stuff loaded back onto it and headed down GDP street toward the 10:00 crossroad. The driver was willing to stop at each 0:15 street, so we got off at 7:45, walked 30 yards and arrived at our camp: Mama Kabuke's Big Tent at It Still Stings Camp at 7:45 and Holy.

It was great to see my friends from last year—Mama Kabuke, Jordi, Devon, Uncle Brett, and T who primarily set up the camp along with a bunch of fellow campers from last year. Jenn (now Vadra) and I (now Zhust) got the tent set up quick before it got too dark and started unpacking. We didn't stay up too late—we hadn't acclimated much from Eastern time, so by 10 p.m. we were experiencing 1 a.m. tiredness and went to bed.

We got up and had some breakfast and got settled in with the camp. This year two of our fellow campers were getting married on Thursday, and they brought a fair number of people for that but only one of them really liked being at Burning Man. We also had an inordinate number of freeloaders making for a stressful time trying to keep up with their consumption and messiness. We also had a genuine "sparkle pony"—a girl who brought only her physical beauty, nary lifting a finger to perform any tasks and frequently leaving half-eaten food and drink.

Vadra and I got out over the week to see the art and visit some random camps. For the most part, I felt like it was a year of "duties and obligations": I was tasked with setting up the lights on Connie the Baby Blue Whale (the camp's art car) we had as well as to install and test the blowhole device I made for her. I felt pretty spent by Thursday and really wanted to take a day off by then but couldn't and had a rough day.

Vadra was selected to participate in Spencer Tunick's photograph at dawn, so we got up around 4:15 a.m. and biked out into the cold early morning. We arrived at the staging area by the temple but all the slots had been filled. She was quite disappointed, having missed a previous opportunity in Buffalo a few years back.

But we made the best of it and got a chance to visit The Man. They were only letting 50 or so people into the UFO base at a time so there was a line, but it moved quickly. There were zoetrope inside that were beautifully designed but the animations were rather bland black-and-white line-art. Dawn was upon us, so we left and watched the sunrise through the hazy smoke from the forest fires in California.

Vadra surprised me for my birthday: she secretly made Instax pictures of a bunch of people in camp holding a whiteboard to spell out "Happy Birthday". It was very sweet of her and I was quite moved by it, especially after spending days feeling under-appreciated.

After the wedding, many members of the wedding party left, relieving some of the burden (although there were still a lot of freeloaders.)

It was an interesting experiment, really. We brought a camp that provided abundant resources. But in trying to embrace the principles of Burning Man, "radical inclusion" led us to attract consumers of our abundance. It gets to be an interesting puzzle, really: if you offer abundance, you'll attract people who will consume, but if you hoard, you'll expend much more energy doing so than if you simply shared.

I have been wrestling with capitalism versus communism for quite some time. Communism fails by people offering less than "their ability" and claiming more than "their needs". The way we are seeing capitalism fail is in failing to find a balance in moderation: either you are earning too little and constantly toiling, or you are earning too much and have no means to share your wealth. On the train, we met a woman named Amber who said she saw something about bacteria being freeloaders: in some colonies, they need to produce a particular protein to float, but some bacteria figure out they don't need to expend the energy; eventually the whole colony collapses.

But I recently read a blog post by Burning Man founder Larry Harvey that talks about commerce and community. I think it helps define when commerce (née capitalism) is most effective and when community (née communism) is most effective. In the article, Harvey quotes an article written by Zay Thompson, the Burning Man regional contact in Kansas. Thompson brilliantly lays out an analogy in the form of his large extended family getting together to compete in a soccer game:

If my Dad stumbles and falls, I don't run over him in my rush to score on his team. My love for him and the value of human life causes me to suspend the game, help him up, and check to see if he's alright. Likewise, I don't continue to view my family as mere competition after the game is over.

In the case of our camp, it seems the balance between commerce and community was skewed. It felt like the desire to achieve enrichment by helping out was somehow suppressed. When a task needed doing, I felt an urge to not help because I felt that was the spirit of our community. It wasn't until these months later that I can even begin to articulate that, but I do recall that experience: when something needed doing, it was defiant to stand up and act rather than it being common and beneficial.

On Sunday we had a most unusual bit of excitement. Chris returned with a report of a DPW official stating that a huge thunderstorm cell was headed for Black Rock City and would arrive shortly before noon on Monday and the city would be shut down to all traffic. The report also recommended that anyone able to leave should do so before Monday. (By the way, the DPW is the "Department of Public Works", a not-governmentally-affiliated group who maintain the Burning Man infrastructure.)

I suspected it was an incorrect report—ordinarily this happens from "telephone game" failures, but this was unique in that it was reported nearly intact to the radio station. And again, Burning Man is susceptible to urban legends, but I thought immune to mass-media misinformation until now.

Many of our campmates were concerned. A couple new friends from Canada had an early flight on Tuesday and opted to leave on Sunday afternoon. Vadra was very concerned but I had instinctive confidence in the inaccuracy of the report. To calm her fears, we walked to the Emergency Services tent that were a mere 30 yards down the road. They had heard nothing of such a storm but cautiously refused to deny the report outright. Rivka pulled out her iPad and checked the weather on their private wireless Internet: partly cloudy with a chance of 0.01 inches of precipitation for Monday. Vadra was not entirely reassured but I persevered, gambling I was correct.

I know that humans are susceptible to visceral dangers more than statistically likely dangers. Even I was not brimming with confidence save for my tenacious rational side.

We stayed—and continued embellishing the tales. By Monday morning, we were expecting the caldera that formed nearby to erupt by noon, and that a raging storm would pin people down and lightning-rape everyone. I advised others that it was likely an attempt by DPW to hurry exodus, and I encouraged other camps to hurry along the freeloaders in their own camps.

Monday came and a front was indeed approaching, cooling the air and changing the wind direction slightly. I held fast, though, and we left by the Burner Express bus at 11:45 with no issues. During the morning, two drops of rain hit me, and none even left evidence on the parched lakebed. It took us 90 minutes or so to get to Gerlach and no rain arrived. I saw nothing on the weather radar once we got Internet back at the hotel room. (The Burner Express bus, by the way, dropped us off at the airport around 3 p.m. and we got to the hotel before dinner.)

Later, I contacted Jordi and Mama about the storm but none materialized. I started a thread on ePlaya that sparked some interesting theories: indeed, nearby areas received some downpours that, had such a downpour arrived at Burning Man, it would have shut down the event for 24 hours or so—and with no proper sanitation either. I suspect the nearby mountains cause vast changes in weather over just a few miles, and I believe that is what "protects" the Black Rock Desert. (For another example of localized weather, see "lake-effect snow".) But I could have been mistaken and we may have been stuck for 24 hours or longer. Who knows.

We stayed overnight in Reno then got on the Amtrak and headed back to Chicago to visit Jenn's friend there for a couple days. It was nice to visit the city more in-depth. We returned to the Amtrak for our overnight trip back to Rochester, arriving pretty much on-time on September 8.

Let the Fire Burn

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I got to see Let the Fire Burn at the Little on November 12. It's been a while, but I did want to give it a bit of a review.

It's an impressive document of the misguided actions of the Philadelphia government and police against the MOVE organization that led to them bombing and burning a house in 1985 containing 13 members, eleven of whom perished. In a way, it's a microcosm of war: both are avoidable, expensive, and deadly acts.

The most unique feature of the documentary is the exclusive use of found-footage which was limited to video (with a little 16mm film from an older documentary about MOVE.) Because of this limited perspective, there is very little information available about either MOVE and its purpose and actions, or about the police department and administration. Each side taken in isolation—MOVE changing from a radical urban alternative group to an antagonistic aggressor, and the government of the city of Philadelphia playing by-the-book as a racist regime—provides inadequate information to predict why things happened, but taken as interacting entities, it is more clear. Another way of saying that mouthful of marbles is that neither side was at fault as much as pitting them against one another was.

Director Jason Osder was available through SKYPE to discuss the film and revealed that the decision to go with found footage was partly pragmatic: our eye becomes accustomed to the poor quality of NTSC video unless we get a chance to compare it to modern high definition video. As a result, there are no talking heads to guide our reaction or provide possible answers. Ordinarily, we turn to some kind of expert to offer a possible explanation, but Let the Fire Burn gives no answers. It is the raw autopsy of a terrible moment in history left for us to examine.

And I think because of the lack of opinions, we gravitate toward our own biases. I was kind of surprised that one questioner presupposed it was centrally about racism. I thought it had more to do with the nature of a radical ideology that its ideas could not be articulated in a consumerist vocabulary. Neither interpretation is wrong, but it's interesting how our biases creep in.

Let me go back, now, and ruin the beauty of the movie by giving my own talking-head "expert" explanation.

I found the MOVE organization to be strictly following what we'd call urban gardening, veganism, anarchism, and acquiring goods locally. Rather than struggle in the capitalist/consumerist system that is rigged against both poor people and non-white people, MOVE opted instead to define their own rules. But the capitalist system—well, any social or economic (or socio-economic) system—is poorly suited to accommodating a sub-community whose internal rules are in defiance of the system's fundamental tenets.

This happens all the time with anarchist groups within the industrialized capitalism: anarchism defies the very nature of hierarchical, authoritative rule. The trouble is, most people do not like to admit that hierarchical, authoritative rules is a fundamental requirement of industrialized capitalism, so it's not codified in any laws: no law says you must pay for your own life. But for industrialized capitalism to work, it needs workers who are replaceable so they are valued low enough so the end product's price has a built-in profit—it needs for people to have to pay to exist.

If you think that's unfair, and maybe you could make a better go of it just living off the land and taking your changes, well, you're out of luck. The system goes a little nuts. The police will arrest you for no reason, but because no crime is committed, nobody gets charged with anything. But if you continue with that out-of-bounds behavior, you'll eventually be framed for a real crime. And then if you continue, you'll eventually be killed.

And that's what happened with MOVE. When they were harassed for non-crimes, they persisted. Then they were framed for a crime (specifically: nine people are still in prison, for the murder of one police officer—an impossibility since only one person can murder one other person.) And they persisted, and then were eventually killed. What they were "supposed to do" was to give up on the radical philosophies and get jobs like normal people.

Ten More Movies: October through December, 2013

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So here's the last 10 movies I watched …

  1. Escape from Tomorrow at the Little, October 26: Jenn and I went to see this because the description sounded interesting enough: it's about a man who goes with his family to Disney World and his life is thrown into turmoil; the kicker being it was filmed at Disney without permission. Well, it would have been an okay movie if it hadn't had arbitrary plot twists and red herrings all over it. It starts out pretty strong but quickly degrades into an incomprehensible mess.
  2. Inequality for All at the Little, October 30: Jenn and I saw this essay film about inequality in American finances. Not just "some people earn more" kind of inequality, but "400 people earn as much as everybody else combined" kind of inequality (really.) It's ostensibly a documentary that gives former United States Secretary of Labor Robert Reich the ability to explain things from an economists perspective. On the one hand, it's an eye-opening and engaging film, but on the other, it preaches the "business-as-usual" mindset where a strong middle class buys like crazy to keep the economy chugging along to everyone's supposed benefit. But do we really need all that stuff? Maybe the economy can work if a robust middle class was socially conditioned to buy quality, durable products made by workers earning a living with their wages rather than to buy as much of the cheapest slave-labor-produced products one can get jeir hands on.
  3. The Intruder at the Dryden, November 1: This is a brilliant film on the dangers of mob mentality and how easy it is to coerce a mob during a revolution: a rabble-rouser heads to a small town in the south to start a counter-revolution to school desegregation. And it was created by Roger Corman and his brother, Gene at peril to the cast and crew: it was filmed in the south during desegregation (and perhaps, as mentioned by Lori Donnelly at the Eastman House, the only film about the Civil Rights Movement shot during the Civil Rights Movement.) It's a film well-worth checking out.
  4. Let the Fire Burn at the Little, November 12: An impressive document of the misguided actions of the Philadelphia government and police against the MOVE organization that led to them bombing and burning a house in 1985 containing 13 members, eleven of whom perished. Read more in my blog post about it.
  5. Crystal Fairy & the Magical Cactus at the Little, November 13: This one is about a guy who's a kind-of unlikeable drug thrill-seeker who meets girl who's a kind-of unlikeable modern hippie and they go with three Chilean guys (whose personalities are not nearly as well defined) to partake of a cactus-based mind-altering concoction. Jenn and I went together and, when prompted what I thought of it, I said "it was okay." I stand by that: it's an okay movie. There is some redeeming quality to it, but it's not perfect … you know: "okay".
  6. The Light in the Dark at the Dryden, November 19: Philip Carli spent a significant portion of his introduction trying to set our expectations low enough for this film. It was indeed historically interesting: the fourth and last film made with a not-so-talented actress-as-producer, with not one director signing on for a second film. It's about a fairly pretty (maybe very pretty in 1922, I'd hope) down-on-her-luck woman whose luck turns when a rich woman hits her with her car then takes her in. (Way to go pronouns!) As Carli mentioned, the cinematography is particularly good — and I'm inclined to agree. Also, this restores more than half the footage cut for (apparently) a tale of the Holy Grail. And it's got Lon Chaney, so there's him to watch too. Overall, it's not very good, but historically interesting.
  7. The Internet Cat Video Film Festival 2012 at the Dryden, November 22: I begged Jenn to go see this with the promise we could leave if it wasn't very good. My intention was nefarious: I wanted to see if it was as worthy of the derision I wished to inflict on it. And, well, kind of. It is, indeed, a curated set of clips of funny cat videos from the Internet (see the article at Know Your Meme for a little more information). The selection standards fortunately excluded clips that were extraordinarily low quality, and the clips were, generally, amusing. But really? Clips from the Internet? And comments like that squarely make me one of the fuddy-duddies who deride a new form of entertainment solely because it's new. This is, in essence, a wholly new form of creating short films, although the "new" aspect has to do with sheer quantity: a huge percentage of people now have access to a video camera, and many like to take video of their pets, so it's just a matter of waiting before someone captures something clever. Does that warrant a film festival? (Eh, maybe too soon.) How about two screenings at Dryden Theatre of the world-renowned George Eastman House? And two more for the 2013 festival? I don't know — I don't think so. It all seems like a way to make money since it's amateur, accessible, and popular. (Oh, and we did leave early, so technically this one should count as half.)
  8. Kill Your Darlings at the Little, November 26: Jenn and I decided to see this before we realized "Enough Said" closed that night. The film is quite good — probably more so because I know little of the life of Allen Ginsberg as it's often the mistake made and liberties taken about a familiar subject that distract us from a story. So to go back a sentence: it's about the early life of Allen Ginsberg as he went to Columbia University and met Jack Kerouac and William Burroughs. And how his homosexuality blossomed, and how a seldom-mentioned murder surrounded that group of friends. In all it's a captivating story and worth checking out perhaps because you also know little of Ginsberg's life. Or you want to try to unequivocally destroy a connection between Daniel Radcliffe and Harry Potter.
  9. Philomena at the Little, November 27: Jenn and I wanted to see another film, but decided to check this out as an alternative. As it turns out, it was an interesting story and an enjoyable film. Judy Dench is fantastic and Steve Coogan holds his own pretty well at her side. It may help that it's based on a true story, so frequently that lends a bit of realistic serendipity to what can so rarely be written in fiction.
  10. Piranha at the Dryden, December 7: I saw this a long time ago on TV and, perhaps rightfully, didn't give it much respect. But in deliberately watching it on equal footing with any other film, it's really quite passable. The pace is brisk, the plot was interesting in its own cautionary alarmist way, and the acting was adequate to the task. It's not high-art, but a perfectly adequate example of a Jaws-era terror flick.