This is one of those weeks. Thursday, Friday, Saturday, and a bit into Sunday there are simply too many things to do! Oh Rochester, why can't you spread your events in a more random distribution?
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Events for Thursday, September 20, 2012 through Wednesday, September 26, 2012
Events for Thursday, September 13, 2012 through Wednesday, September 19, 2012
The Big Burning Man Trip
So the tale starts on August 22. Like last year, I left on a Wednesday although this time I was determined: I kept telling people I was going to "win Burning Man" as if it was some kind of contest. The Amtrak left pretty much on-time late at night. I talked with a nice woman on her way to Chicago.
With the train arriving on-time, I had plenty of time for my Chicago ritual: a visit to Lou Mitchell's Restaurant and Bakery for an excellent breakfast, then a trip to the Art Institute of Chicago. I only had an hour, but it's not much longer than that I get a little burned-out. I liked the contemporary fabric arts exhibit, "Fashioning the Object: Bless, Boudicca, Sandra Backlund". I got back to the station and we left without incident.
On the leg from Chicago to Reno (and the return) I used up my Amtrak mileage points on a roomette which is definitely the way to go. I can handle a day or two sleeping in coach (if I come from being well-rested) but having a place to lay down horizontal is fantastic. Add in the complimentary coffee, meals in the dining car, and a shower in each rail car, and it's awesome.
I met my first fellow Burners and spent a lot of time in the sightseeing car chatting with them and others. I felt like I had one vacation in Chicago, and was on to my second on the train. By the time we got past Denver, more Burners got on. I almost got interviewed by a guy named Duccio but time got the best of us and we were in Reno before I had the chance. I was probably the only person hoping for a delay: I also wanted to get in closer to check-in time at the hotel, but the train ran promptly.
I had to dawdle for a few hours before starting my third vacation in Reno. I saw lots of people heading to Burning Man but only chatted with a few. I spent more time than I thought it would take cutting out the "Blue Highway" font stencil I made for my Lonely Lamppost project. I also decided to try and mitigate uncertainty (see last year) so I signed up to take the "ToFlame" bus. I had to pay extra since my stuff amounted to three huge 50-pound bags (which is included as checked bags on Amtrak) along with two more smaller bags I packed full of water jugs. I was able to tote all my stuff on a luggage cart I made; I figure it totaled about 300 pounds.
The ToFlame bus was scheduled to pick up people at the Reno airport then stop by the SaveMart which was only a few blocks from the hotel. It's a block off I-80 and a major last-stop for the deluge of Burners from California. So I hauled my 300 pound pack over there and hung out with some people making their final purchases, and a bunch of people hitching rides. After I was there I probably could have managed a ride, but I felt better with the bus — especially when the bus finally arrived (actually two of them) about 3:30 p.m.
From there it was a matter of getting 60 people from both buses to buy their provisions and all get back on. It was like herding cats and we didn't leave SaveMart until probably 4:45 or so. Mind you, the "scheduled arrival" was something like 5 p.m. at Burning Man. Ha ha. Traffic on the narrow Rt. 447 north of Fernley, Nevada was heavy and we even stopped completely for 20 minutes or so.
We got a chance to watch about half of The Beast Pageant on the bus, much to the amusement of the rowdy passengers. There was even another Rochesterian: and, of course, I knew her (albeit through her parents). Once we got to Burning Man we had to head to the Will-Call ticket area as half of each bus needed to pick up tickets. We finally made it through the gate and were all dropped off at Esplanade and 6:30 (the address, not the time). The bus ride was like a third vacation; Burning Man itself the fourth.
I dragged my stuff out to 7:00 and found some nice people on Foxglove to camp next to. I set up camp and helped them with their shade before heading out to explore. I looked for a girl from the bus on the other side of the city with no luck, but I found some fire spinners and met a guy who had a neon-orange boat decked out as an art car. We chatted for a bit and he took me for a ride. After that I realized I was hungry, having not eaten for hours, but I couldn't resist checking out the Pier which included a crashed pirate ship with a crooked deck and galley. It was an incredible piece and they had projectors that created the illusion of ocean waves on the Playa, visible from the deck. Walking back to my camp, I noticed the sky was brighter than I expected: it was in fact 4 a.m. when I got in. I guess I had bucked my circadian rhythm which would have me in bed by 7 p.m. Pacific time.
On Monday I met the people across the street and helped them wire the lights on their Blue Whale art car (which we later named "Connie"). The whale was new although the base vehicle had been through several incarnations in the past.
I stopped by the ARTery and got my Lonely Lamppost placed at 1:00 at 2600' — about halfway from the Temple to the 2:00 corner of the Esplanade. (Funny enough, it was almost exactly the opposite side from where I was camped.) Matt drove Lauren (another artist) and I to our respective sites. I assessed the nearby artworks (both from the map at the ARTery and by sight-lines) and tweaked my location closer to 12:45, putting me at the intersection of "Burn Wall St.-Dream Tree Rd." and "The Man-Black Rock Bijou Rd." I headed back to camp and painted the signs for the lamppost (with only one heat-induced typo of "Biiou" on one side), carted it out, and got it set up before dark.
Upon returning to camp, we all headed out and got in line behind Charlie the Unicorn Goes to Burning Man to get registered with the Department of Mutant Vehicles (DMV). That night, after a great meal with my new friends across the street (Mama Kabuke's Big Tent, formerly It Still Stings Camp) I called it an early night and crashed around midnight or so.
One of my nightmares about Burning Man is having to deal with someone who puts their noisy generator right next to my tent and having to deal with the uphill battle of teaching them what "considerate" means. So this night I was awakened around 3 by a noisy generator placed right next to my tent. My solution was to just get up and move it twice the distance from me. The next day I asked and was welcomed to camp with Mama Kabuke's crew. Problem solved.
Tuesday I explored a bit in the day. While yelling compliments from the "Compliments" booth around 4:00 and Dandelion, I met Little Wave from Winnipeg and chatted with her a while. I couldn't manage to convince her to join me for dinner, but I did get a woman from our camp to go. It was at Sacred Cow at the 7:30 plaza — I found out about it from a couple Burners I had met in Reno. On the way home from that, we stopped at a "bar" which was actually mostly non-alcoholic: "When Life Gives You Lemons" served lemonade and other lemony treats. She and I got talking about languages and she suggested immersion rather than translation: read a book in Italian and try and pick up what you can from context alone, or watch a familiar movie in Spanish. I thought it good advice.
After we got back I was on my own again and wondered what to do. I had brought a game I called my "Parrot Cards" (because they have parrots on them, but pronounced like "Tarot", not "parrot"). I had noted the Burning Man addresses ran from 2:00 to 10:00 which coincided with the numeric playing cards, so I added letter tiles and had a way to pick a random address. The playing card suits have traditional Tarot meanings which I simplified with diamonds meaning the body, physical, or external world, clubs meaning the mind, emotions, or internal world, hearts being the suit of religion, love, and heart, and spades being the suit of the military or challenge. I gave "readings" to a few people but mostly used it myself.
So I drew the 10 of diamonds and G, sending me to the dance clubs at the edge of the city. I tend to find it an okay pastime to dance to club music, but I'm easily drawn away to other things. I hung out at Robot Heart at 10:00 and Germanium for a bit before walking back home — again noting the warming eastern sky of dawn. I was awestruck by the sheer number of attendees, with tents, RV's, art cars, installations, and public spaces. The official tally, I gather, was about 52,000 people.
Wednesday I slated as my day to do as little as possible. I sent out a few postcards, and I got to drive Connie to the Temple. I met a guy who was building a whale to be a performance space, I think at the northern end of Rt. 1 in California. As far as the Temple of Juno was concerned, it kind of left me cold — I didn't feel very connected with it.
That night I was hanging out with T. from camp and some people came by and asked if they could drop off their drunk friend who they were unable to drag back home. I would have told them to keep trying, but I let T. answer. I was surprised when she gave an emphatic "absolutely." She insisted on asking who was going to stop by in the morning, and she hung out with the guy for a while until he passed out. Her philosophy was to try and embrace the 10 Principles of Burning Man as much as possible, even when it might be inconvenient.
It's a lesson I'm going to have to let sink in: do good when it's easy, when it's inconvenient, when it's difficult, and eventually, when you don't think you can.
On Thursday, I was invited to be one of the four official drivers of Connie. The DPW says it's only the driver and the driver's spouse, so Jordi ordained himself three spouses.
I happened upon Hair of the Dog (HOTD) camp during the day and said hi to Troy, my birth-twin (same month, day, and year.) I blundered around some more and came upon this camp that offered to do a polygraph and shaman cleansing ritual. I had to give it a go. The idea was to use the polygraph to divine a painful event, then to use shamanism to transform the event into a point of growth and healing. It was unnerving but effective, especially for a sciency-guy like me.
Friday I took Connie out on a tour by myself. I drew the 3-of-diamonds (referring to physical or material things) and L so I headed there. Some people on Iris St. came out and stopped me to give me lemonade. This was a theme all week: this was my first sober (well, sober-ish) Burning Man, and I had no trouble finding non-alcoholic treats. Curiously, it was all lemonade (even Mama Kabuke's kept the booze in back and offered water, "gay-torade", and lemonade to passers-by.)
My logical side was irritated by the accuracy of the Parrot reading to find the Otic Oasis out there: indeed a physical thing, and one I forgot that I wanted to see. I parked Connie and walked to it. It was very cool. I hung out at the camp adjacent and tried to solve their puzzle/interlocking pieces. Their kitchen yurt was amazing: all cut from laminated pieces.
On the way back toward the center of the city, two girls stopped me and I gave them a ride: Playa Kitty and Elise. They were headed to Discofish at 7:15 and Edelweiss which was just around the corner from Mama Kabuke's. We stopped at my Lonely Lamppost for a minute on the way, and got about 100 feet away when a dust storm hit. I didn't realize it would last so long and didn't set the brake. When another woman had leaned her bike against Connie, that was the only way I realized we started being blown backward as her bike fell over. In all it lasted an hour before we managed to gradually make small steps back in tiny clearings.
Saturday I took a crew out for an art tour: Elise (my secret Playa-crush, not the one from yesterday), Emily, Amy, and Momma all piled into Connie and we headed out. Funny enough, it seemed I was either alone in Connie or I was delighted to shuttle women. We headed out to see Burn Wall Street which was being prepared to burn, although the graffiti was most excellent.
When we got back, a couple of the guys had set up a comically obvious snare trap with gin, tonic, and one of Beckster's giant juggling dildoes. Then Zen took another and tucked it into his shorts and did weightlifting, pretending his penis was hanging out unbeknownst to him, smiling broadly at people who responded uncomfortably and awkwardly to his antics (universally, even). I was laughing so hard I was crying.
After dinner we went out to the Man burn. We had a spot just a few people back. Despite a bit of agoraphobia (considering thousands of people behind me) I enjoyed watching the burn up close. I couldn't resist taking a lap and oggling the art cars surrounding the man. It was great.
I walked to the Burn Wall Street site and checked out more art cars. I sat down and was thinking I could go for a nip of whiskey. A guy sat down next to me and stuffed a bottle of bourbon into my field of view. He said his name was Yuri. It took a few minutes to ask, but it turned out he was the bartender at Lux for a while. He was just walking through looking for someone to sit near. Once again, the "Playadipity" and finding Rochestarians everywhere found confluence.
The burn, while not spectacular, was participatory. Everyone was chanting to burn the fuckers down and cheering more loudly than average whenever one fell. It was all quite cathartic.
On Sunday we fetched my lamppost with Connie. It survived just fine. The site was pretty clean and I only found a few little fibers. I took it apart back at camp. I also packed up my stuff and got ready to leave on Monday, figuring on sleeping in the Big Tent somewhere for the night.
I had a few drinks that night and went to the Temple Burn. Just as when I visited earlier in the week, I wasn't particularly moved. I'm not sure why exactly.
Monday I helped clean up camp and take apart Connie. Jordi and Devon drove me out to the bus stop. It arrived before they left and the whole process was much smoother than entry. We even left via the 12-mile entrance, bypassing the entire exodus line (which I gather wasn't particularly bad this year anyway). The only hassle was with the Eldorado Hotel shuttle driver who was reluctant to let anyone on board who had any dust on their luggage. Nonetheless, I got in fine.
On Tuesday evening, the Amtrak left pretty much on-time. This time the fellow Burners were numerous, leaving one-at-a-time as we progressed across the country. It was a bit disconcerting to become more judgmental each passing mile: it didn't matter on the Playa, but now these people were turning into alcoholics, egomaniacs, and slackers before my eyes. Disconcerting but fascinating.
Nonetheless, I still had a good time talking with them. I told my tale and mentioned that I was "going to win Burning Man". Well, after arriving to camp solo and getting to drive an art car, having a great time, and getting excellent meals, I think I won. Kate jumped up and ran to her seat. She said someone had given her a sticker which she reluctantly took, passing it to me:
Events for Thursday, September 6, 2012 through Wednesday, September 12, 2012
Events for Thursday, August 30, 2012 through Wednesday, September 5, 2012
Events for Thursday, August 23, 2012 through Wednesday, August 29, 2012
Thursday, August 23
- Tonight through Saturday at 7:30 p.m. at the MuCCC is the 5th annual Sankofa Evening of Theatre & Jazz [source: MuCCC website, 2012-Aug-13]
- Starting late after Garden Vibes at 8:30 p.m., the Dryden will be screening 48 Hrs. (Walter Hill, US 1982, 96 min.) Here's the calendar description:
After making his film debut in this action comedy, Eddie Murphy became one of the biggest box-office draws of the '80s. He's hilarious as a convict recruited to help catch a killer, but this is a buddy comedy in the truest sense. The casting of Nick Nolte as his gruff partner brings out the very best in Murphy.
[source: Dryden website, 2012-Aug-13]
- Over at Abilene, also starting around 8:30 p.m. is My Plastic Sun, Coyote Campus, and Bad Sound. [source: Abilene website, 2012-Aug-13]
Friday, August 24
- A friend of mine recommended I try and catch The Sugarland Express (Steven Spielberg, US 1974, 110 min.) at the Dryden, screening tonight at 8 p.m. and Sunday at 2 p.m. Again from the Dryden calendar:
Goldie Hawn and William Atherton are petty larcenists in hot pursuit of the child they were forced to give up. But the stakes grow higher as they take a trooper hostage and become outlaw celebrities. Recipient of the Best Screenplay Award at Cannes, and shot just one year before Spielberg rose to international fame with Jaws.
[source: Dryden website, 2012-Aug-13]
Saturday, August 25
- Since the Bop Shop is no longer at the Village Gate, today and tomorrow is the In-Store Sidewalk Sale. [source: Bop Shop Events, 2012-Aug-13]
- Today from 12 p.m. to 6 p.m. at the Genesee Center for the Arts is the Spokes & Ink Bike and Poster Fest. [source: Spokes & Ink website, 2012-Aug-13]
- The Dryden will be screening the Rochester premiere of Miss Bala (Gerardo Naranjo, Mexico 2011, 113 min., Spanish w/ subtitles) tonight at 8 p.m. and tomorrow at 5 p.m. The calendar has this to say:
Loosely inspired by a 2008 incident, Miss Bala offers an electrifying account of a beauty pageant contestant (Stephanie Sigman) ensnared in a war between a drug cartel and corrupt officials. With slinky long takes shot from volatile corners and crevices, Miss Bala is a tour-de-force that announces Naranjo as amajor talent.
[source: Dryden website, 2012-Aug-13]
- Awesome punk-rock The Blastoffs, The Tombstone Hands, and Philo Beddoe will perform at the Bug Jar starting around 10:30 p.m. [source: Bug Jar calendar, 2012-Aug-13]
Sunday, August 26
- The MuCCC will be hosting a performance of Metal Quest: The First Emperor tonight at 7:30 p.m. [source: MuCCC website, 2012-Aug-13]
- The Bug Jar is hosting West Fest with Anchorage Nebraska, very good hard-bar-rock band Inugami, Comedown, Pink Elephant, and good hard rock from The Cheetah Whores starting around 9 p.m. [source: Bug Jar calendar, 2012-Aug-13]
Monday, August 27
- In Between the Lines Improv Troup and TOOP (The Opposite of People) Theater Company will perform at the Todd Theatre at the University of Rochester today from 1 p.m. to 2 p.m. [source: UofR website events calendar, 2012-Aug-13]
- Tonight at 7 p.m. at the Flying Squirrel is the monthly Green Party Meeting. [source: Flying Squirrel website, 2012-Aug-13]
Tuesday, August 28
- The Dryden will be screening Talk About a Stranger (David Bradley, US 1952, 65 min., 16mm) at 8 p.m. From the Eastman House calendar:
Another neglected gem from the MGM B-unit, Talk about a Stranger follows young Bud as he tries to prove that the stranger who's moved in to the long-abandoned house down the road is an evil canine murderer. Set in an idyllic citrus town and photographed by noir specialist John Alton (Raw Deal), this junior version of Shadow of a Doubt carries palpable terror.
[source: Dryden website, 2012-Aug-13]
Wednesday, August 29
- The Devil is a Woman (Josef von Sternberg, US 1935, 75 min.) will be shown at the Dryden tonight at 8 p.m. From the calendar:
Dietrich stars as a cold-hearted and mysterious woman who can belong to no one, but leads everyone to believe otherwise. Von Sternberg paints a vivid and stylized recreation of turn-of-the-20th-century Spain during Carnival.
[source: Dryden website, 2012-Aug-13]
- Over at Abilene, Euforquestra will perform with good, crowd-pleasing reggae from Thunder Body tonight starting around 9 p.m. [source: JamBase calendar, 2012-Aug-13]
- Good, amiable hard rock from The Clockmen, Cavalcade, The DeVills, and The Red Lion will be at the Bug Jar starting around 9 p.m. [source: Bug Jar calendar, 2012-Aug-13]
Events for Thursday, August 16, 2012 through Wednesday, August 22, 2012
Dominic Barter on Restorative Justice
I headed to RIT this evening and attempted to find Golisano Hall. I went to Carlson by mistake (and partly out of habit as that's one of the locations of the Caroline Werner Gannett Project lectures). I tried to get on the open WiFi to find a map, but the WiFi wasn't actually accessible — a metaphor for RIT's anti-community, pro-police-state, lets-all-live-in-a-bunker philosophy. I finally found a map and (as I suspected looking at the building behind it) I was standing in front of Golisano Hall: "you are here" on so many levels.
I was there to see Dominic Barter will present a lecture titled Toward Conflict: A Conversation about Restorative Justice. He began by talking about how there are no outsiders in a community. Often we think of conflict as being between two parties, but there is always that group affected by the conflict, and (by nature of being part of the community) complicit in it.
But "conflict", "community", and even "group" are pretty potent words that need some refining to understand what's meant.
Conflict is at its core, a disconnection of communication. The presumption is that all people think they are doing good with their actions, so everyone behaves in a way that is somehow beneficial. But an action does not benefit everyone. The conversation can stop there with each party assuming the other is mistaken, confused, stupid, evil, etc. Or one party can state its objectives, and the other (while hearing the words) may not be able to empathize with that position and be unable to understand.
Conflict remains as long as that disconnection of communication remains. And it demands to be addressed; it demands to be dispelled by reconnecting communication — all because the self of each person longs to be recognized, understood, and respected. This desire for communication is so strong that, if left unresolved, leads to animosity and eventually violence.
On community, let me back up for a minute. I'm often bothered by the word "is". It has this nebulous double-meaning as a way to describe a measurement ("the sky is blue"), and as a way to define an equivalence ("one plus one is two"). So I get flustered by "you are part of the community" because "community" can simply be a measurement of place, but it can also be a definition of behavior.
So rather than define community as a set of behaviors, Barter (if I remember correctly) sees it as the people and shared places — you, everyone you speak with, everyone you interact with, everyone you see.
He also doesn't like referring to "groups" involved with a conflict — as if there are literally two teams, each with common ideas that disagree with the other. Rather, it is simply individuals, each one with jeir own ideas, some of which are shared with others. Conflict resolution, then, involves every individual in the community — everyone who interacts with those "central" to a conflict are effected and necessarily involved.
Another way to look at conflict is an imbalance of power. So Barter's process — called Restorative Circles — is literally a circle of people which, by its nature, equalizes power. He tries to work from a perspective of being part of the community rather than as an outsider, and in that manner attempts to keep himself from being part of a power imbalance.
He says it always happens in three phases.
First, people reacquaint themselves with how to communicate. He has observed people not talking to the target of their statement — as in looking away, or at jeir own supporters. And people are inarticulate and flail about with words. He reminds himself to be confident in the ability of people to communicate, so he tries not to interfere, but when someone cannot fathom another's rationale, he asks jem if jee can explain a "good reason" for the misunderstood behavior, knowing that people think they act benevolently.
This phase always takes longer than he thinks it should and he starts to panic. But it inevitably does, and eventually people start communicating with one another.
Next, everyone starts to identify humanity in others. Each realize that everyone is human like jem — that there is benevolence behind everyone's actions. And they empathize with one another, and begin to see the source of the conflict.
Finally, they start creating possible actions. Barter says he's amazed to see the creativity of solutions that arise. And because the whole community is involved, the likelihood of those possible actions being implemented is dramatically improved.
I had to ask about anxiety and control. I like to be in control, and I at least feel most comfortable when the logical part of my mind can offer possible likely outcomes. But when it breaks down and is unable to formulate any likely outcomes, I feel anxious — that old "fexcitement" reaction that's the physiological fear/excitement response. And that's unpleasant and I try to avoid it. So to enter a situation like this — where I have no idea what solutions exist, what the conflict is, and even if it will work — is extremely difficult.
Barter said he experiences that as well and has learned to rely on a support network (either other people being present or readily available by phone). For him, support takes the form of people reminding him who he is. I presume he means to regain focus on his goals and methodology.
I thought it perhaps most fascinating that he described himself as an extremely impatient man. He knows how ineffective it is to rush the process, so to ensure it is successful and robust, he is willing to invest a lot of energy in making sure it is done right.
These Restorative Circles happen start small with just a few people each, then grow, and eventually can include as many as several hundred people at once. In all, it's an amazing process that we need to reacquaint ourselves with.
Thoughts on Ruby Sparks …
With the Dryden closed on Mondays, I have been making a habit of going to the Little for their $5 Monday movies — often to see two films. Tonight I went to see Ruby Sparks. I had seen the trailer and had written it off, but I read an interview with writer-and-star Zoe Kazan which sold the movie on me (but be warned it's full of spoilers.) In short, consider what happens if a woman writes a role for herself as if she were a male writer creating a manic pixie dream girl (MPDG)? It all seems a little more self-aware to me, and I'm interested to see if all that works out. Alternatively, what if a movie centered on a MPDG were able to pass the Bechdel/Wallace test?
The introductory first act introduces us to Calvin, a young writer who met with massive success in his first novel. He lives alone in a fancy house and is trying to follow up with a second work. But it's not going so well. His only company is a scruffy dog who (as he reveals to his therapist) he got as a way to try and meet women, but it's not working. So his therapist suggests he try writing a few paragraphs about meeting a woman who adores his dog. And later while dreaming, he finds such a woman, albeit imaginary.
Enamored by his fantasy, he sets to frantically writing. He confides in his therapist that he's worried that he's falling in love with the character. And then all hell breaks loose when he thinks she's living in his house. She believes fully that the history defined by his writing is her actual life. And then worse: everyone else thinks she's there too, presumably because, well, she is.
But rather than turn into a rehash of Mannequin or Weird Science (yikes: dating myself seriously!) it steers more toward what it's like to be a being who has no idea she was just a fictional construct, centering on the differences with a real person.
And this is what the trailer completely misses: it's sort of a multi-layered writer's movie. I mean, all the characters are fictional constructs, but one is also a fiction-in-a-fiction. And then, while Calvin and Ruby are the most fully-realized characters, how can they coexist with others who are absurdly broad? For instance, when I saw Antonio Banderas as Calvin's stepdad Mort playing the stereotypically over-the-top artist, I thought, "oh my god, it's like he's made of ham." It's interesting to consider how all the characters exist and why they're there, and how fully formed the would believe they are.
The film gets me thinking, what if it were possible to buy, say, a robot girlfriend? What if I could make someone who is exactly what I think I want? Would I even come close to anything desirable? And then I also know it's necessarily a paradox to have free will (a.k.a. intelligence, artificial-or-not) and be manipulable or programmable.
Writing offers an outlet for those dreams of Pygmalion — a way to literally (and literarily) make friends. And Ruby Sparks touches on all the ramifications of that.
So I guess I'd recommend it if you're wanting for that kind of film. I find expectations to be extremely important when it comes to viewing a film, and the trailer does such a poor job of setting those expectations in the "right" direction that I don't recommend the trailer or any single-paragraph summary. And it certainly helps if you also like looking at Zoe Kazan.