Building a Drawdio

Last evening I went to RIT (One Lomb Memorial Dr., campus map) to see Mark Frauenfelder, and Carla Sinclair speak about the "maker movement" going on now. This morning, Mark brought some kits from The Maker SHED — the store for MAKE Magazine's products — to share with The RIT Make Club. Although I just wanted to hang out to see how basic the Learn to Solder Kit really was, I couldn't resist[*] trying to build the Drawdio Kit. With it, you draw a line with a pencil then use the line to change the pitch the Drawdio emits — the line acts as a resistor to complete the oscillator circuit [* har har]. I finished it up pretty quick, and got back that old feeling of how nice it was to build a project from a kit that, well, just worked. If I remember correctly, 4 people were also building the Drawdio's and they all got them working.

Anyway, the Learn to Solder Kit was pretty nice. The circuit board has some extra pads so you can learn to melt and work with solder before going on to build the basic circuit. Mark had also brought several Super TV-B-Gone Kits which were very popular because they were more than just toys, they were actually useful (for turning off nearly any television by sequencing through all the known TV power-button codes).

In all it was a really nice experience. Mary Lynn Broe organized this as part of The Caroline Werner Gannett Project which brings together "21st century thinkers and scholars in the arts, sciences and technologies who ask the unasked questions." Hopefully we can build from this to get people who make things together, as well as the people who don't make things yet.

Let's Talk Cycling

I went to Brighton Town Hall (2300 Elmwood Ave.) for the Let's Talk Cycling discussion. It turned out to be the featured lecture at The Rochester Regional Group of the Sierra Club meeting that night. After some Sierra Club business, Jean M. Triest was introduced. She's a Traffic Safety Specialist at The Monroe County Department of Public Safety. As a reasonably well-seasoned cyclist, her talk was a bit on the basic side for me — bikes need brakes, reflectors, a bell, and a headlight and taillight for night; bicyclists are recognized as legal drivers; ride in the same direction as traffic; use hand signals; obey traffic-control devices; be visible; be predictable; etc.

She cited a study from The League of American Bicyclists that examined the causes of bicycle accidents. She started out with some myths and the first was surprising: "traffic passing from the rear is the biggest risk to a bicyclist" is a myth. In a chart she showed me afterward, when comparing types of accidents with bicyclists, getting hit from the rear is the least likely kind of accident. The most likely cause of accidents — 25% — was riding in the wrong direction. Poor lighting is another problem cited (and cited separately from rear-end collisions).

I was getting kind of jaded about the whole thing.  For the question in my mind was, "if I do all this stuff, how much can I reduce my risk?"  As best I could tell from anecdotal experience, even if I'm a perfect cyclist, my odds are not that much better than if I was not that good.

I decided to dig around a bit and found the Crash-Type Manual for Bicyclists by Carol Tan and The University of North Carolina Highway Safety Research Center [although the information resides at The Turner-Fairbank Highway Research Center.] It's a detailed summary of a study (although inconveniently stored in 73 separate PDF files) on the underlying causes of bicycle accidents. Indeed accidents from the rear are comparatively rare (less than 3%), much more likely on roads higher than 60 KPH (37 MPH), and much more likely in unlit areas at night.

In perusing the data, I noted that by using the same techniques to avoid an accident while driving an automobile, I can avoid the vast majority of the accident types between a bicycle and a car. From there, I can further reduce my risk by being seen: in cases where the bicyclist was otherwise not doing anything out of the ordinary, most of the accidents could be attributed to the driver not seeing the cyclist. It's rather obvious to say this, but most drivers don't want to get into an accident, even with a cyclist — and it's clear from watching a busy roadway that they're generally excellent at not colliding with stuff.

And much of the advice Triest gave was along the same lines: be seen, behave like a car, and don't not behave like a car — stand your ground. By following this advice, it's unlikely you'll ever be in an accident on a bicycle, at least with a car. And if you do get into such an accident, it can be traced to not following that advice.

David White Discusses the New Age at the Bertrand Russell Society Meeting

I stopped by at Verb Café at Writers and Books (740 University Ave.) for the meeting of The Bertrand Russell Society. David White was there to talk about Joseph Butler and Ken Wilber. White brought faith in the possibility of a "New Age" — where humans would work together toward common goals using a far more fluid communication method than the chunks of individual works produced today.

His evidence is the proliferation of conversational communication across vast distances. Essentially things like text messaging and blogging where the works are specifically brief. He teaches a course which exploits this: rather than asking students to summarize a work in an elaborate essay, they are invited to explore it then to respond to a small part of it that they found particularly interesting or inspiring. The aggregate of these responses is a new cumulative learning.

I feel that the development of a global consciousness is likely, but the form it will take will be much more subtle. I disagree with the notion that it will be guided by any person claiming to be a guide although some will migrate in that direction. Rather, I feel it will form organically and naturally only through careful nurturing.

One of the concepts that's poison to this idea is one of failure. We seem to have this collective notion that there are people who fail — and with at least a subtle negative connotation — and others who succeed — the pinnacle of existence. This dichotomy is entirely wrong.

The nature of a rewarding life is to constantly try. And that means — at least in this parlance — failing. As such, this "failure" is not "failure" at all, but evidence of actually trying. Not failing is not trying which is a much worse fate.

White cited Plato's Allegory of the Cave as an analogy to the difference between thinking like today and thinking like the "New Age". People who think like today — like individuals competing to survive — are like Plato's prisoners in the cave, resigned to seeing the world as simply shadows on the cave wall. Those who think in a "New Age" manner are analogous to those who escape and return to describe the world outside, explaining the shadows. Unfortunately, the prisoners are certain their form of reality is correct and reject the new information.

I think White was trying to act as a guide: that by taking the prisoners through the steps to the outside that he could teach them the more complete truth. However, I believe more in human behavior based on Plato's cave: that people will nearly-unanimously reject the notion of a "New Age" and of thinking in a different way.

As such, I think a better way is to reject the concept of failure as it applies to a person's life. In this way, the prisoners are released and free to go. Admittedly, convincing people that failure is false is nearly as difficult a task, but I'll argue that it is already ingrained in the culture of the U.S. West Coast with their "it's all good" kind of philosophy.

About Peacework Organic Farm at Thursday Thinkers

I headed to the Rundel Auditorium in The Rochester Public Library (115 South Ave.) a little late for Thursday Thinkers. Elizabeth Henderson had already started speaking on the topic, Locally Grown: Green and Economically Viable? She farms at Peacework Organic Farm (2218 Welcher Rd., Newark).

The farm itself is owned by The Genesee Land Trust, Inc. (500 East Ave.) and leased to the farm for long-term use necessary to maintain organic methods. The farm offers people the opportunity to experience farming and to get 7 to 11 items of fresh vegetables for a full 6-month season from May 21 through November 15. The monetary cost is small, but it also requires 12 hours of farming in 3 4-hour morning shifts.

The farm is certified organic, meaning they use techniques of replenishing and recycling rather than using chemical pesticides and commercial fertilizers. They use cover crops like buckwheat to keep weeds down and to keep the soil healthy and nutrient-rich. They also maintain a "microherd" of microorganisms that work the soil year-round. In addition, they monitor reports from other farms and agricultural organizations to prepare for particular kinds of pests. Once, for instance, they sprayed their potato plants with copper to block a late blight — one of a few chemical-oriented approaches they take. More often, though, it's a matter of understanding the balance of flora and fauna to keep pest populations at bay.

They offer a Mayday Celebration on May 2 this year including a potluck dinner. In addition to Peacework Organic Farm (2218 Welcher Rd., Newark), check out The Genesee Valley Organic Community-Supported Agriculture (GVOCSA) for a similar program.

JCVD at the Dryden with a New Pair of Eyes

Today I went to The Rochester Optical Factory Outlet (400 Jefferson Rd., in Hen-Jeff Plaza) and picked up my new glasses (with the lowest price in town — and honestly priced to boot). Last month I went to The Ocu Sight Eye Care Center (1580 Elmwood Ave.) for an eye appointment: partly for issues with near-sightedness, and partly to get those eye disease checks that I don't get without owning glasses. Everyone who has glasses sneers when I say I have better than 20/20 vision, but damn it: I can't read street signs at night! Accordingly , my prescription was pretty weak, but now I can see far-away things. It may not be perfect (I'm still working on figuring out if it's honestly wrong or if it's just confined by the granularity of a weak prescription) but hundreds of yards better than what it was.

So one of the first things I got to do was to go with Ali to the Dryden Theater at George Eastman House (900 East Ave.) where we saw JCVDJean-Claude Van Damme's Tree's Lounge … er … sort-of. Ali didn't intend on seeing it, but I suggested we walk from her house to double-up a little physical activity, but she didn't feel at all like walking back home alone afterward so begrudgingly stayed (and actually thought the film was okay).

I thought the film was very good overall. I remember from film class in college something about film genres taking a turn at some point — when the formula used is somehow tweaked so the film is still recognizable by its pedigree, but is significantly unique as well. In this case, it's the action genre: where the bad guys establish a sophisticated upper-hand, the good guys are embarrassingly disorganized save for the few heroes, and good wins in the end. Plus there's a showcase for special effects and a reinforced apathy for the loss of lives of the unknown.

In JCVD, Van Damme plays himself — an action star tired of constantly being personally associated with the attributes of the characters he plays and the films they are in, and pretty much the only guy who could possibly fit the role. He returns to his hometown of Brussels and quickly becomes the central figure in a heist gone awry. From there it's action-movie anarchy: mobs of people surround the bank to cheer on the most famous Belgian outside Belgium, Van Damme's role in the heist is not as it first appears, and, of course, he's not some ass-kicking, bulletproof hero.

In a jarring foil to the climax, Van Damme steps out of his film-self to deliver a monologue directly to the audience. He ends up coming across closer to Jesus Christ than to his own JC moniker (Jean-Claude, that is — far more closely associated with bad acting and terrible movies). Practically a classic Catholic confession, he reveals that he's conflicted: for after having traveled the world and experienced all the different kinds of people he's met, he cannot see how each and every one of them shouldn't be adored for who they are. Yet his films — the entire action genre — broadly categorizes everyone in the world to one-of-two, black-or-white categories.

So in its own way, JCVD is incredibly powerful. For it has forever tainted any future viewing of an action movie for me. It's really where my own philosophy led anyway, but JCVD accelerated my progression to a fully new mind-space.

Waltz With Bashir at The Little

Ali and I went to The Little (240 East Ave.) to catch a couple movies. She had read the book and wanted to see the film The Reader, and I've been meaning to catch Vals Im Bashir (Waltz With Bashir). They both started about the same time — although the shorter Waltz started 10 minutes earlier, so I got out some 45 minutes earlier. I headed to Spot Coffee (200 East Ave.) but couldn't figure out how to get on the Internets with their wireless Internet [assuming "Spot on WIFI" was the SSID of their network.]

Anyway, Waltz With Bashir is a rather interesting movie. It's an animated film about a man who had fought in Israel's war with Lebanon 20 years ago. He can't remember anything of his involvement in the war until one of the people he fought with reveals a recurring dream. The man then seeks others who fought in the war by his side to help him get his memories back — particularly about a massacre he has the most trouble remembering.

The scenes of war were particularly surreal. Not because of the unreal aspects of the animation, though, but from the insanity inherent in war itself: particularly those aspects that bridge peaceful life with war life. The soldiers are expected to behave a certain way, but their humanity draws their attention to commonplace things: sounds and silence for example, or the benign apathy of plants to politics, borders, and war.

I look at this whole war thing like I must be crazy. I mean, I can't see how it makes anything any better. It's a deliberate act of malice that changes the course of people's lives, justified in future retrospect that it will have been seen as unavoidable and written in history as a good thing by the victors.

So I see these films that portray war as this absurd exercise and it seems true through the rich approximation of emotions. But then I'll talk with some guy returning from Iraq and they all say it was such a rewarding experience. On the one hand I feel like my fellow fairly-trade-coffee-chewing aristocracy, proud of our nuanced and clearly superior understanding of war. Yet it's a much more filtered view than those who are actually at war.

Unassailable logic dictates that to really get an answer, I'd need to go to war myself. But aside from gaining more knowledge about the world, I otherwise find the idea, well, bad.

I think I might just leave this one unknown.

The Third Degree at Beale St., then Karaoke at The Boulevard

One of Ali's friends was having a combination birthday and engagement celebration. We met them at The Beale Street Cafe (689 South Ave.) as Ali's friend's neighbor's uncle [or something] was in the band, Third DegreeMySpace link. We had a few drinks there and a good time. The band did a fine job with the classics and standards … sometimes encroaching on exceptional, in fact.

Afterward, we all went out to ruin music in our own way: karaoke. The first suggestion on the table was The Boulevard Restaurant (412 Empire Blvd.) I looked to see if the much-closer Elixir (938 South Clinton Ave.) still had karaoke on Saturday nights but to no avail in the local papers present at the bar. So it was off Empire. I managed to sing The Turtles' "Happy Together" without much trouble but I also gave Jimmy Buffet's "Come Monday" a go as well. Alas, despite having self-administered the right amount of public singing fluid, the song still didn't sound good to me. I decided that it was in fact a difficult song to sing. Others fared better, including Ali, and particularly this guy who was in our group who broke karaoke: halfway through his song, the computer conked-out and had to be rebooted.

We were very happy to have a generous fiancée who played a staunch designated driver role. He brought us back to the city and we had planned to go to Mark's Texas Hots (487 Monroe Ave.) but Ali observed he wasn't excited about it so made some excuse about the person lying in the sidewalk with the paramedics around them being a reason to not go. Ali and I, however, walked from her house there.

We got in around 3 and double-dated with a couple guys we met in line to share a table as there was — of course — a line, and it was — of course — cold. I corrected my prior attempt at the perfect plate and came pretty close: macaroni salad and fries topped with meat sauce and over-easy eggs — this time skipping the onions. Much better than my last attempts.

Bob Bechtold Talks About Saving Money and the Environment at Harbec Plastics

I headed out to hear Bob Bechtold of Harbec Plastics (369 State Route 104, Ontario) discuss their techniques to become Carbon Footprint Free by 2015 — this week's Tuesday Topics discussion in The Kate Gleason Auditorium at The Rochester Public Library (115 South Ave.) When I was there, I ran into Rochester Turning blogging machine stlo7 and, to my surprise, I posted my summary first.

Anyway, since Bechtold is in business to make money, that's obviously one of his priorities, but it goes along the lines of "Eco-Economic Decision Making" — what's now called the "Triple Bottom Line": people, planet, and profits. He's a self-described former-hippie and tried to engage investors in his ecological interests. But none took hold until he started Harbec Plastics (369 State Route 104, Ontario) on an economic basis, then steered it toward ecological goals.

He started discussing Harbec's in-house electricity generation. They have 25 30-kilowatt microgenerators that provide for the company's maximum 500 kilowatt load with 5 generators literally to-spare. They run on natural gas provided by the utility, but Harbec gets the advantage of utilizing the excess heat which is otherwise a waste product. The distributed utility model is terribly inefficient on this front: generating electricity from a heat source throws away 60%-75% of the energy in the fuel as heat, while Harbec retains it for heating and even in an absorptive chiller for air-conditioning. He claims they have measured their BTU efficiency at 70% and calculated that their methods reduce carbon dioxide production by 90% over utility production.

As such, they just use the electrical grid as backup.

The well-known wind turbine has a 250 kilowatt capacity. Their location is a "class 3" wind site: about average overall and not as good as sites closer to the lake. They use the turbine to further offset their utility consumption by about 300,000 kilowatt-hours per year, netting a cost savings of $40,000 each year and a return-on-investment on the turbine itself in 8 to 10 years. Bechtold said that one of the biggest competitive advantages is that it freezes energy cost for the 25-30 year lifespan of the turbine, since the costs are no longer attached to fuel prices.

Regardless of all these improvements, their first steps were ones of reducing consumption. The site has in-floor radiant heating, large skylights for natural lighting, and double-insulated walls. Although they don't meet the requirements yet, they are following Leadership in Energy and Environmental Design (LEED) building standards. They have also switched their injection molding equipment from industry-standard hydraulic systems to better, more efficient electrical systems. In addition, they added insulation to the molding machines to reduce air conditioning load and to make the equipment run more efficiently. The motors have inverter drives or soft-start for efficiency and to make the equipment last longer. Even their air compressor system is an advanced variable-speed unit. With the help of a grant, the ROI for switching to the T-8 type fluorescent fixtures is only 1.5 years and saves $38,000 each year in electricity.

Bechtold also started Northern Development, LLC (369 State Route 104, Ontario) so he could work toward scaling these efficiencies to an industrial park. If you're really jonesing for more tech-talk, that's the place to go.

During the question-and-answer, it was clear that his message of gains in the "triple bottom line" was accepted. As such, people's questions focused on how to expand his efforts. In answering one question, he said there are anti-franchise laws that prevent people from sharing electricity across property lines, making it impossible to implement in neighborhoods (hint, hint, legislators). It was only through some unique loopholes in that law was it possible for him to run Harbec as he does. However, the individual has a choice: he noted that he's installing a Freewatt furnace/generator at his daughter's house which generates electricity when it heats the house, offsetting expensive electricity (sorry Fairport Electric).

Curiously, New York State isn't so bad for small-scale electricity generation. Not only is it geographically advantaged to be ranked 17th for wind power availability, the legislature finally allowed "net metering" up to 2 megawatts, so small farms can "sell back" generated electricity at utility costs rather than the 1.9 cents per kilowatt hour you'd get from direct sales. This also means that you can use the grid for your excess capacity as it's very difficult to store electricity.

Overall, there's quite a bit of promise in it all.

The Wagon's Grinding Gradual-Slowing

Ali and I were out running around in our Buick Roadmaster Estate Wagon to every furniture store in town looking for her perfect couch. Thus far, we had found one that was nice but very expensive, and several others that were cheaper but not quite what she was looking for. We went to Charlotte Furniture and Appliance (3200 Lake Ave.) and the salesperson asked what we were looking for. They had exactly one couch with furniture buttons on the back. When we went to see it, Ali saw the love-seat and thought, "that's perfect if only there were a sofa" just as she saw the sofa. It was perfect. And as cheap as the couches we didn't like. It was great. She ordered it on the spot, picking out the fabric and getting set up with financing.

So we headed out toward 390 via Stone Rd. From Ridge Road we went to get on 390 but as soon as we hit 45 miles per hour or so, we suddenly heard a sound like we were dragging a plastic barrel under the car so we pulled over. We looked under the car but saw nothing — not even from the driver-side rear wheel area. We tried driving again but it made the terrible noise again when we got to 25 MPH or so.

We called the service I signed up for: Better World Club — sort of like AAA, but without all the lobbying for bigger cars and more roads [heck, they even offer roadside bike assistance.] They contacted Towbuster Towing (510 Hudson Ave.) for us and said it would be about 45 minutes. We decided to limp the car to Ridgeway. We checked under again, hoping that we might be able to get it home on our own. Alas, it kept making the noise and I found a chunk of metal all ground down that was warmer than the cold ambient temperature — evidence enough for me that it came out of the car.

We got it to a parking lot on Lee Road and waited. Towbuster called us and said they were 20 minutes away and they had no room in the cab of the truck so we'd have to get our own ride. We wrangled a friend of ours to pick us up — the tow truck even arrived at the same time. Well, despite telling them what kind of car it was, they brought a truck that was too small. The distance from the rear axle of the wagon to its bumper was too long for the truck to accommodate. Well, it was just big enough, but they couldn't do anything more than a really gradual turn. The flatbed truck was another hour away so we decided to just leave the car and go home.

Actually we went out to dinner: Paola's Burrito Place (1921 South Ave., formerly Big Dog's Hots). We received the worst news in the world: Arturo is moving back to Austin in 6 months or so to be with his family, closing Paola's. So, if you like the place, go get your fill because it'll be gone soon. The Upper Mount Hope Neighborhood Association sent out a note that he was leaving in two months, but we're hoping he was correct. Naturally dinner was great.

Anyway, we had our poor wagon towed to Integrity Auto Repair, Inc. (241 E. Henrietta Rd.) As it turned out, the flatbed would have had the room for the both of us to ride along so had Towbuster sent it first, we would have had an easy way home.

As it turned out, it was probably good that we had the wagon towed. The brake drum had been machined beyond specification and the liner finally disintegrated. Had we driven home, we probably would have totally ruined all the brake parts inside. Integrity did a nice job with it and it's fine now. My wallet … well, not so much.

Eating at the Standing Tall…Standing Strong Black History Month Celebration at City Hall Then The Thing at the Dryden

Since Ali had other plans, Christina and I decided to head to City Hall (30 Church St.) for the city's Standing Tall…Standing Strong Black History Month celebration.  Well, actually we went because we knew there would be a food tasting featuring homemade dishes from City employees.  As in past years, there's a huge line … and since we got there late, all the [presumably heavenly] macaroni and cheese was gone.  We were both very impressed by the Firehouse Meatballs by Carlos Manns and the Lasagna with Turkey Meat by Jeffrey Medford.  Everything was great, though.  Plus you can't beat the price.

Unfortunately we had to leave early to get to the Dryden Theater at George Eastman House (900 East Ave.) to see The Thing by 7. We got there a little bit late, but there was a huge line. Christina suggested we just watch it off her housemate's Netflix box so we did that instead.

She maintains the film as one of her favorites, but I was not particularly impressed. I guess the whole futile, frenetic activity against an unstoppable force was just too much. I mean, what was the point of watching these people run around killing one another and stuff when their plight was beyond hope? Perhaps as a parable: how can you fight an enemy that can look and act exactly like you do? In that sense, I think the original version, The Thing from Another World, made more sense in the context of McCarthyism when your otherwise unsuspecting neighbor could be your sworn enemy.