A while back I started a blog post, figuring I'd do brief reviews and summaries of the last 10 movies I saw. At the time, I had seen 10 movies in 2013. Well, now that list has grown to 25(ish) films which seems like a nice round number too. I decided to just link to IMDb this time in case you want to find out more information rather than copying-and-pasting the pertinent details. Anyway, here goes:
Rust and Bone at the Cinema, February 14: I don't remember too much about this, except that it had a couple very well-realized, dysfunctional characters trying to maintain a relationship.
Side Effects at the Little Theatre, February 18: I seem to only remember the setup — that a new drug has unexpected side effects — but that there's some kind of twist, and that those side-effects have very little to do with the film. After reading some spoilers I was like, "oh yeah." Eh … it was pretty good.
2013 Oscar Nominated Animated Shorts at the Little Theatre, February 19: Jenn and I went to this one. I have come to refer to the "curse of the Little" that any time something important is happening, something inevitably goes wrong. We were running a little late, but the screening didn't start at the scheduled time. Ten minutes later, they started the originally scheduled movie (Silver Linings Playbook) instead. We all thought it was a trailer, but as the minutes ticked by, we came to realize it was the film. I told the clerk at the concession stand and they stopped it and started the shorts. But it wasn't over: during one of the subtler films, the soundtrack for the movie inexplicably started again. Once again, we had to go tell them. Anyway, the shorts were mostly mediocre. Jenn and I bet on what would win the Oscar — I correctly picked the Disney short (the typical Disney male-skewed story where "anonymous schlub likes skinny doe-eyed girl who naturally likes him back").
Django Unchained at the Cinema, March 17: An entertaining popcorn movie that was fun to watch. It could have been a bit shorter, I think: it's not like there was some kind of historical accuracy that needed to be maintained.
The Good, the Bad, and the Ugly at the Dryden Theatre, March 22: Really the title says it all. But the cinematography was awesome, the music was wild, and the acting was brilliant.
The Wild World of Looney Tunes at the Dryden, March 23: An astonishingly poor selection of shorts. Did we really need to see two Tasmanian Devil cartoons with nearly the same plot?
The Suitor at the Dryden Theatre, April 2: An entertaining film by Pierre Étaix, although the shorts that preceded his films in this series were often more palatable. The Suitor gets a little tiring after a while, but stays funny and clever.
The Vanishing at the Dryden Theatre, April 4: A really excellent creepy thriller. The abductor is particularly memorable since he's made out to be pretty much a normal guy with a screw loose (albeit a massively important one).
Yoyo at the Dryden Theatre, April 9: A film by Pierre Étaix that acts as a bittersweet postscript to entertainment gone-by. In this case, it's the circus and clowning that is being forgotten, replaced by more modern entertainment like cinema, radio, and television.
The Place Beyond the Pines at the Little Theatre, April 15: I had to see this. I'm from Schenectady where the film was made, and I found out it was filmed in the neighborhood where I was born (Stanford Heights; I was born on Stanford Avenue in Niskayuna). Plus, one of the characters is named Jason. Anyway, the film is excellent: an elegant, long-term story that is brilliantly paced and engaging to watch.
Room 237 at the Dryden Theatre, April 18: I'm a sucker for documentaries about obsession. I assume everyone else can at least comprehend it, but I find it an alluring option in life that I can't quite bring myself to actually engage in. The film is about a small group of people obsessed with The Shining. Some have mapped out the rooms per the camera angles, finding impossible rooms; others perceive themes that may or may not be either intended or even present. Interpreting art is fickle anyway; this film was an enjoyable romp around paths less-travelled.
The Most Fun I've Ever Had With My Pants On at the Cinema, April 19: I got to see this as part of the High Falls Film Festival. I'm glad I did. It's a nice road-trip story with some great cinematography and a nice, gentle character arc.
The Girls in the Band at the Little Theatre, April 21: I shortcut the festival this year and hit up this (the Best of the Fest Documentary) along with the next film at the end. The Girls in the Band documents women in 20th century big bands — often added as a novelty, but all with a musical voice and talent separate from and on the same level as the men who so often shunned them.
Margarita at the Little Theatre, April 21: This was the festival's Best of the Fest Narrative — an enjoyable tale about family and immigration. The wit of the film makes it funny, but the humor seems to work unrelated to the seriousness of the issues. Anyway, since it's from a Canadian perspective, the tone is a bit different from what an American film would be about an immigrant nanny losing her job.
Reds at the Dryden, May 1: Oh man, this was awesome. It's so well-paced that the length is no bother at all. It's based on the true story of an American journalist who becomes enamored with Communism, and accurately portrays the multiple facets of it all. Best of all, it came out in 1981, during a resurgence of "Communist threat" and the era of Ronald Reagan and unrestricted greed.
Badlands at the Dryden, May 2: Having been recently introduced to Terrence Malick by Jenn, I was thoroughly impressed by his tale of young infatuation and foolishness. Just a beautiful film about the human condition.
The Fallen Idol at the Dryden, May 8: A brilliantly told tale of marital strife told subtly from the perspective of a child.
Days of Heaven at the Dryden, May 9: Another Malick film about the complexities of relationships. Also very good, but I think I liked Badlands more.
The Rules of the Game at the Dryden, May 29: A cleverly bleak view of the French bourgeoise — especially that they are fraught with a distinct absence of compassion.
The Tree of Life at the Dryden, May 30: A more recent Malick film that takes a nonlinear approach to try to tell the tale of every American upbringing. I think it mostly succeeds — the episodic nature that floats across a whole life gives it a dreamlike quality that let me fit my life into the story, even though almost none of what happens actually applies to me.
Dead Men Don't Wear Plaid at the Dryden, May 31: A technical achievement to place old film clips into a modern film seamlessly, but, like any such attempt, it grows tiring quickly. The biggest problem is that only the simplest, non-specific dialog from another film can be used, so the whole thing comes off pretty flat.
Kon-Tiki at the Little Theatre, June 3: This is the story of the attempt to sail a raft from ancient materials from South American to Polynesia. It felt like the movie tried to include a sample of every conflict, problem, surprise, and reward in the actual journey. As such, I felt it came off very bland.
The Reluctant Fundamentalist at the Cinema, June 16: I thought this was an excellent character-driven tale of a man who can't help but go where he's pushed. I also liked the aspect that it showed the "reverse-angle" view of the "infallible lawman" entertainment popular today where a team of well-funded experts use their technology to find and kill the bad guys. The film is kind of the long way of saying, "things are more complicated than that."
Starbuck at the Cinema, June 16: This one was about the lovable loser who turns his life around. The trouble is, I found the loser to be insufferable. It's one of the few times I left the theater in the middle of the film.
Bury My Heart with Tonawanda at the MAG, June 27: Somewhat well-known local film-goer and filmmaker Adrian Esposito wrote this film about a man with Downs Syndrome in the 1800's who finds help from the local Indians. It's ostensibly a true story and shot around Rochester. The trouble is, the acting and directing were pretty weak, making it feel like a made-for-TV movie. And it was shot on video and either has an overexposed look, or the MAG's projector was not configured properly. The story is pretty solid, if a bit simplistic, and overall it's pretty good.
Iron Man 3 at the Cinema, June 29: Jenn and I went to this ultimate popcorn movie. In all, I had a good time watching it … it was a fun, fluffy story. What I found especially fascinating was to see movie clichés and genre staples played unabashedly straight: with all my cinema nerdery I often see those things dismantled and betrayed, so it's kind of refreshing to see them in their natural environment.
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