Tonight was The Emerging Filmmakers Series #46 and Ali and I made it to The Little (240 East Ave.) to see it. I liked ABC Movie by Elisabeth Tonnard once it got rolling and I figured out the literary angle of the visual collage that plays on "apple", "book", and "clock". Fallen by Jon Noble was a zombie horror short on a budget … although imperfect, there's a solid talent there. The real gem of the evening was Last Time in Clerkenweell [not Bathtime in Clerkenwell as I had noted … although the descriptions and reviews seem remarkably similar to what we saw] by Alex Budovsky — it was a superb black-and-white animation set to a catchy song. It had an art-deco feel to it as well as a darker military-jingoism just under the surface.
At times, though, I found that I was being more critical than usual. I recall being able to look at a work and see the artistic merit, or a glimmer of skill somewhere, but it seems I'm now a cynic about it and judge things quickly as crap. Like Untitled by Eva Xie: I found it to be a blunt so-so metaphor on the gradient of going from a girl to a woman; its artistic technique was akin to being clever with language by removing all but the punctuation marks to make your point. ",,.,,'.:-;." if you know what I mean.
But even that really had its merits — after all, for what is often a first-time film for someone, just learning all about making it is a challenge. It's much harder than it appears. [You may not argue that point until you produce a short film that beats all that I've seen before.]
Anyway, I liked all the films at least a little. The Can Man by Sean Cunningham was a strange film that reveals a sinister world of bleak post-apocalyptic dehumanization. Boxed In by Joy E. Reed was a coming-out story between a woman and her mother and it did a good job of revealing some rather deep characterization. SNEW by David Lachman and Jody Oberfelder was a nifty playful piece with cut-out letters and people — a somewhat experimental piece that was fun to watch. And finally, Loose Ends by Rachel Gordon was an okay, professional-looking production about a woman dealing with dating in her 20's.
I thought it was interesting that Karen vanMeenen had selected two films with a literary metaphor. I don't recall having seen that before, but maybe it's fresh in my mind what I think the bias might be.
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