Happy Birthday, Wanda June at the Dryden

The Dryden Theater at George Eastman House (900 East Ave.) showed Happy Birthday, Wanda June and Ali and I got to see it, despite the terrible road conditions getting there. It was a film based on a play by Kurt Vonnegut, Jr. with a very theatrical feel, giving it a bizarre edge. It was funny and poignant, making the point that war is really quite pointless and that there really isn't any value in the "heroism" of fighting and killing. Oh, and how incredibly silly and dangerous the idea of "heaven" is.

The plot of the film follows a woman and her son. Her husband has been out-of-contact for 8 years on some kind of heroic journey — wars, killing animals and the like. She gets a college degree and begins to piece her own life together by courting two men: a pacifist doctor and a hero-worshiping vacuum cleaner salesman. Her husband makes a surprise return and tries to retain his brazen, hero's status.

The point, in a way, is to ask, "what the fuck is so heroic about killing?" It really resonated with me. I had been asking more-or-less the same question for a while. For instance, it's common knowledge that you thank soldiers for defending the country. But given our eternal conflict in Iraq, it's become … unsatisfying … for me to do so. When you fundamentally disagree with the idea of war in the first place, and then add on that further fighting is only inciting existing enemies and creating more then how can you thank someone for making America less safe? It gets to the point of patronizing — like thanking the neighborhood cat-murdering idiot for keeping your house safe from cat infestation.

In fact, it's more about fear. I feel compelled to thank a soldier for the sake of not getting in trouble, yet my opinion of the situation is so bad that I want to tell them, "stop fucking volunteering!!!!" [With extra exclamation points, even.] Please.

And what scares me more is people who believe in an afterlife — especially those who think it's the promised land of 57 varieties of virgins. And before you think I'm bashing Islam alone, ask a Christian how much they're looking forward to meeting Jesus and how lucky people are whose miserable earthly existence is cut short. It's really quite scary. I really would like it if people believed like I did: that we get one shot at life and that we should make the best of it and help everyone else to make the best of theirs too.

But that makes me some kind of Godless monster, right? I mean, true evil in the world comes from the Others — the people who don't read the Bible and don't go to church and don't hate gays and don't believe women are just baby incubators.

Sorry … I digress …

The response from war hawks is always the same: "your pacifist beliefs are all well and good, but what happens when someone sticks a gun in your face?" Well then the rules change, don't they? If you believe in the value of life — especially that you only get one go around — then you'd better believe I'm going to try and avoid kisses from bullets rushing to show me the love.

The trick is this: "peace first". Or, if you must, "war last".

In other words, if you come upon people who say, "we hate America," figure out why first. At present, the only reaction is to blow the fuck out of them. You see, we can talk and understand and resolve for a long time — even have an ebb and flow about the whole thing — but you can't un-blow the fuck out of someone. So save that for last.

Then the response from the hawks and jingoists is, "what about 9/11?" Oh yeah — what about that? We need to get "them", right? And who are "they"? Why Osama bin Laden of course. Haven't heard that name in a while, have you? Of course not: if you watch 9/11 Press for Truth or read The Complete 911 Timeline or the related book, The Terror Timeline: Year by Year, Day by Day, Minute by Minute: A Comprehensive Chronicle of the Road to 9/11—and America's Response, you'll find that the Bushies carefully herded bin Laden to safety in Pakistan.

You've been had, America.  Wake up!

Breakfast at Blue Horizon and Driving the Wrong Way on 390

Ali and I had a late breakfast at The Blue Horizon Restaurant (1174 Brooks Ave.) As diners go, this is one of the best: of late my number one qualification is that my coffee stays full — and not only did it not get empty, it barely hit the halfway mark. The food is good diner-grade food and the prices are low diner-grade prices.

We left around 1 or so and on the way home I thought, "I should just take Brooks Avenue" but I got on 390 anyway. As I was getting on the ramp, I saw that traffic was at a standstill. We got in line anyway, figuring it would clear up. However, a steady stream of emergency vehicles kept coming. Some cars behind us rushed ahead to get to the second lane, but we were in no hurry and didn't mind being one of the last ones through. State Police closed 390 at Brooks behind us and were directing all traffic off the highway. A State Police officer started having cars entering at the exit turn around and drive the wrong way up 390 then turn off on the exit. We followed suit. It's the only time I've ever driven the wrong way on the highway. It was wild — it made me feel all sophisticated like I was driving on The M1 or something.

We decided to see what happened so we got back on at Mt. Hope but traffic ground to a halt around Scottsville Rd. Police were directing all traffic off the highway at that point as well, but we could see a multiple-car pileup — rubbernecking, we saw at least 6 cars involved. The hill formed by the new tunnel under the runway for the Scottsville Road access road had caused drifting snow to form a whiteout and had coated the road with snow. As it turned out, there were way more than 6 cars involved: 36 in all. As you've probably heard on the news, one young girl got killed and there were about 20 people taken to the hospitals with various degrees of injuries. The accident was apparently caused by a driver who stopped in the middle of the white-out.

People say the "cause" was the driver who stopped, but that was just the final straw. A whiteout totally sucks and there's no ideal solution. Initial wisdom says that if you can't see, stop, but it's also a highway, so you don't stop. Second best is to proceed slowly. In my opinion, that means very slowly compared to highway speeds (i.e. 20-30 miles-per-hour) but judging by the damage to cars, it appears that people scarcely took their foot off the accelerator and instead plowed into whatever was in front of them at full-bore. Then again, it was clear skies and dry roads right up to the bend, so only the properly attentive drivers even had a chance.

I also think it's interesting that nobody faults the airport. If it were a private residence and they had put up a privacy wall, they'd have hell to pay. But because the airport presumably wanted to extend a runway to accommodate larger planes, it's all good — dead girl and all. I'm not so much advocating suing the airport, but I'd like to see a fair assessment. Rather than let it slide with a passive-voiced "the conditions were dangerous," I think it's important to realize that prior to this construction project, this was not an issue. And as such, to determine if there is something that can be done to change the structure of the tunnel to prevent these kind of conditions from forming again.

Night and the City at the Dryden

Ali and I went to the Dryden Theater at George Eastman House (900 East Ave.) to see Night and The City. It was one of the most gritty, brutally cruel noir films I've ever seen. The protagonist is a jerk — just barely charismatic enough for the audience to tolerate watching him. None of the characters are any good at all. The gist is that a Greco-Roman wrestler of old is coerced by a con man to start shows with traditional wrestling — in direct competition with performance-based wrestling run solely by a thug who happens to be the son of the traditional wrestler. Things go from barely tolerable to horrifically bad. It's quite a show of the worst sides of humanity.

Juno at the Little

Ali and I went to The Little (240 East Ave.) to see Juno. We got there a bit early and ended up having some good (but a bit pricey) panini sandwiches at the cafe.

Anyway, the movie was really cute. It's about a smart, quick-witted girl who unexpectedly gets pregnant. She decides to put the kid up for adoption and finds the seemingly perfect couple — at least on the surface and through her myopic teenage eyes. It was really just a nice, light story that takes what would ordinarily be a heavy topic, and puts a bit of flair on it to make it quite palatable.

One of the complaints I had heard was that the title character Juno was too smart — too worldly for her age. Indeed she was awfully smart, but come on: have you heard teenagers talk? (And I freely include my own teenage inanity.) I don't think people would tolerate 2 hours of that. That said, they didn't do a bad job of giving Juno and her friends the pop-culture, repetitive patterns of teenage speech without making it irritating.

Back of the Throat at Geva Nextstage

Ali and I went to Nextstage at Geva (75 Woodbury Blvd.) to see the first screenplay reading of The Hornets' Nest series: Back of the Throat by Yussef el Guindi. In it, a man of Middle-Eastern descent (Khaled) is being questioned by two federal agents (Bartlett and Carl) shortly after September 11, 2001. The agents are not charging Khaled with any particular crime and Khaled — an American citizen — is glad to help in any way he can until the agents start to become suspicious.

Popular media teaches us that police officers know who's guilty and they just need to shake out the right information to catch the crooks. In reality, they are not nearly as prescient as a scriptwriter. When the illusion of prescience is lost, the whole process of open-ended interrogation works only to blur the difference between the innocent and the guilty rather than to help define it.

Regardless of whether Khaled is innocent or guilty, as the questioning continues, he appears defensive which looks both like innocence and like guilt. So as a tool for divining the innocent from the guilty, this is a particularly poor one. Worse, though, is that the agents become more confident in their belief that Khaled is guilty, so they press further, and the more defensive he becomes, the more they feel he's guilty and uncooperative.

In some ways I find the script-in-hand readings more powerful than a performance. When an action or object is described briefly in words, it has a naturally ambiguous realization — whereas in an actual performance, the actions and objects are all specific, concrete examples. So in a case like this, the ambiguity echoed and amplified the overall effect, making for a very disturbing reading.

Seeing Strange Culture and Steve Kurtz at the Dryden

Ali and I headed to the Dryden Theatre at George Eastman House (900 East Ave.) to see Strange Culture. The movie is a haunting mid-process reenactment/documentary of what has been happening to Steven Kurtz.

Steve is an art professor at SUNY Buffalo (17 Capen Hall, Amherst, NY) and a member of a group called The Critical Art Ensemble. He was working on several projects with his wife, Hope when in May, 2004, she died in her sleep. Steve didn't know what to do so he called 911. When police arrived, they saw the petri dishes of bacteria cultures they were preparing for one of the art exhibits and called in the FBI. Steve was detained for 22 hours and questioned under suspicion of bioterrorism (but not actually arrested — just illegally detained). His wife's body was taken away and the local coroner ruled her death a heart attack caused by a rare congenital condition. The FBI then took her body and did another autopsy coming to the same conclusion.

So when they were unable to bring him up on charges of bioterrorism, the Department of Justice has filed mail fraud and wire fraud charges against him and a scientist (Robert Ferrell) he worked with to obtain the bacteria samples (which are harmless, by the way, and readily available through the Internet). Steve was not able to bring up details of the case but a woman he'd been working with (I can't seem to find her name anywhere) was able to fill in details Steve was not permitted to.

Basically mail and wire fraud is a civil case — one brought by one party against another when they feel defrauded. The Department of Justice is trying to expand their power by bring it to trial as a criminal case: although neither party involved with the transfer of the bacteria feels defrauded, the Department of Justice is charging both parties with willfully violating the implicit contract between them.

Oh yeah, so anyway: the movie. They used a mix of actors performing reenactments and actual participants discussing the facts of the case. Since the outcome isn't yet determined — Steve has not yet gone to trial — as a documentary, it has a, well, "special" feel to it. Ordinarily you'd expect a documentary to be released after the fact; to put a nice bow at the end of the story to say what happened. Well this one didn't. And as such it's rather unique to leave that huge story arc just dangling off the end of the film.

I asked about whether Steve knew that this particular art project would make people so upset — as an artist, I think there's some desire to have an impact, but rarely is it true that jack-booted thugs really do kick down your door. He said they were working on several projects not mentioned in the movie. One of them was about germ warfare (and what the samples were largely for) to help people understand just how ineffective it really is. I mean, if you look at the facts of the anthrax scare from 2001, 17 people got infected and 5 people died — and this was military-grade antrhax. It's a crappy weapon, yet we're conditioned by our government to cower from it — remember all about sealing up a room with plastic and duct tape in case of an attack?

I cannot begin to express how disappointed I am at the United States Government and the people who blindly support it. It's stupefying to me to believe that a few innocent people need to be used as scapegoats so that our laws are stronger??? It is beyond logic and beyond hope to me.

Ali's Mom Visits

Ali's mom came to visit this weekend. They got to spend a lot of time together working on decorating her house. We also hit a couple local restaurants — first-and-foremost was Don's Original (4900 Culver Rd.) as she always makes her way back there any chance she can. We also had an excellent meal at Pomodoro Grill and Wine Bar (1290 University Ave.) There's no surprise why they're still around after all these years.

I spent most of the weekend alternately trying to get things done and nursing a fever. I would have probably given them lots of time anyway (as it's been a long time since Ali's mom has been back in Rochester) but the fever just amplified the situation that much more. (And they did have a nice time, just the two of them.)

Breakfast at the new Flour City Diner

Ali and I headed out to breakfast at Flour City Diner (2500 East Ave., formerly at 35 Chestnut St.) which has moved from their Chestnut Street location to the corner of East Avenue and Penfield Road — the Renaissance Apartments building just off 490. I think it's technically now in Brighton but, like all things suburban around here, it's still named after the city it abandoned.

We've found breakfast at the old location to be hit-or-miss. Generally the food quality was good but frequently the service left a lot to be desired. The new location is more of the same, only farther away [from us, at least, which is all that really matters]. I had the Cowboy Benedict which was eggs Benedict with steak — a good combination although a bit short on Hollandaise sauce.

I asked about credit cards and was told by our server that they are now accepted (they didn't used to be) but that cash is encouraged. I debated whether to go one way or another — I don't tend to carry much cash around, relying instead on moving money through plastic. I decided that if I got my coffee cup filled 3 times I would pay with cash.

Now what ever happened to that? Coffee refills, that is. I've noticed that Mount Hope Diner (1511 Mt. Hope Ave.) is particularly good about it, but other area diners seem to think that two cups is all you need. Well no, ma'am: keep it coming. Ideally, servers should have a coffee pot holster and be at-the-ready at any given moment to "warm up" a cup.

So I did get my 3rd refill, albeit long after we were done and from a different server. I ended up paying cash, but more because our server was so dreadfully slow that I was afraid we'd be there for another half-hour. And, you know — call me old fashioned [again] — but is it really too much to ask to be addressed and to have eye-contact when being spoken to? Our server seemed to always be telling us things while walking away.

So, to be honest, it's not all that different from when they were downtown. There are more seats (but apparently the same number of glasses and ketchup containers). Definitely a better-than-average diner, but I'm not sure if it's worth the trip.

Dinner at Hogan's Hideaway

Ali had made homemade venison stew for dinner but it had to wait until tomorrow because it wasn't ready yet. In lieu of homemade, we decided to get some dinner at Hogan's Hideaway (197 Park Ave.) Like a lot of restaurants around here, it's not so much that they're "perfect", but that they do certain things extremely well. Both of us got crocks of French onion soup — a phenomenal experience at Hogan's. I also had the grilled cheese on sourdough bread which rounded things out nicely. We had some wine as well and much of it is quite top-notch. Good grades all around!

Dinner at Flavors of Asia

Ali and I met up with a couple friends at Flavors of Asia (831 S. Clinton Ave.) for dinner. The food there is great — it's been too long since getting take-out (i.e. back when Jan was living in Rochester some 2 years ago now). Afterward we had a nice night at home playing 1980's Trivial Pursuit and Yahtzee: one of Ali's favorites.