This time I got a head start and got more diligent about this. Well, I did at the start anyway. So here's the last 10 movies I watched:
- The Internship at the Cinema, July 10: A very peculiar movie that takes the topic of job obsolescence, overlays it on a "plucky-underdogs" story, and sets it almost exclusively on the Google campus, and ends up making a reasonably believable argument for diversity in the workplace (not without flaws) that is actually rather funny.
- Fast & Furious 6 at the Cinema, July 10: The second half of the double feature was also a surprisingly adequate film. It's what you'd expect: incredibly elaborate car chases loosely stitched together with an absurd plot. Although I give it points for ethnic diversity, I take some away for failing the Bechdel/Wallace test (The Internship, too) since never do two women speak with one another about anything but men. Also, I thought it dumb that the women never fight the men in hand-to-hand combat; rather the few female characters are always paired up. Oh, and I also caught a couple references to Raiders of the Lost Ark of all things: a jeep plummeting into a ravine, and someone getting killed by airplane engine.
- Go West at the Dryden, July 17: A very funny silent film by Buster Keaton about a hapless guy who goes west to try and make a life for himself — and to earn the love of a cow. I was really impressed at the ingenuity and comedy that is still interesting and fresh after almost 90 years.
- The Magnificent Ambersons at the Dryden, July 31: Orson Welles wrote and directed this after Citizen Kane, although it was dramatically shortened by the studio. Nonetheless, it is a potent tale of greed overshadowing the love of life. Welles camera work and the complex set design left me exhausted at the end of it — there is so much information being shown that it's quite exhausting … but worth it.
- Bert Stern: Original Mad Man at the Dryden, August 1: A so-so documentary about an interesting guy. Self-deferential Bert Stern is one of the pioneers of advertising photography as we know it today: a vehicle for directed creativity tapping into dreams and fabricating desire. The documentary is uneven with a lot of rough edges, but the dynamic subject largely makes up for it. Museum director Bruce Barnes introduced the film: filmmaker Shannon Laumeister and her husband Bert Stern were scheduled to appear, but Stern passed away about a month ago.
- 20 Feet From Stardom at the Little, August 5: An intriguing documentary about the voices behind our favorite music — specifically, the girl-groups of the 1960's. It's a look at how talent is not what drives stardom, but, perhaps the ability to tolerate stardom.
- Forty Guns at the Dryden, August 13: An amazing film about a powerful woman who uses all her strengths — including her sexuality — to run a western town. But more than that, it's a condemnation of guns and killing. Barbara Stanwyck knocks it out of the park with her performance. I don't recall a more fully-formed powerful female lead in any other film. This is one I'll be talking about for years to come.
- Fruitvale Station at the Little, August 14: An incredibly powerful and moving portrait of the events leading up to the early morning of January 1, 2009 in Fruitvale Station, San Francisco, California. It reaffirmed my belief that all people are more complex than anyone can imagine. And it reaffirmed my belief that no good comes from the end of a gun.
- Mystery Science Theater 3000: Bride of the Monster at the Dryden, August 17: It was a little odd watching a DVD of a TV show that pokes fun at movies at the Dryden Theatre at the George Eastman House, but there you go. I remember watching these back when they were on cable and had the same uncanny experience: I had a great time for about the first 50 minutes, then felt as though I was trudging to the end for the remainder. Jenn said something similar. In any case, the episode was one of the better ones, highlighting a weird Chevrolet short called Hired before the infamous Ed Wood's film (which, in turn, was the centerpiece of the Ed Wood movie which, in turn, caused me pause when they innocuously quipped of a character on screen, "it's Johnny Depp" — the episode aired in early 1993 and the movie, starring Depp, was released in late 1994.) In any case, the musical reenactment of the entirety of "Hired" was a charming and funny sketch.
- 3.14… at the Cinema, August 19: Ok, this really should count as a half since it's not actually a released movie. It's the second edit of a film by some Rochester locals and an odd and ambitious one at that: exploring repetition, infinity, coincidences, and magic donkeys. This cut had its share of good and bad, but overall I liked it and look forward to its eventual release.
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