The Cinema will screen The Irishman (Martin Scorsese, U.S. 2019, 209 min.) "A mob hitman recalls his possible involvement with the slaying of Jimmy Hoffa."

The Archive Ravens are equally passionate about creating new music and preserving music from different cultures and time periods. They believe that the most immersive performances allow the audiences to travel with them to far-off places and times.

The Dryden will screen Kwaidan (Masaki Kobayashi, Japan 1964, 160 min., 35mm, Japanese w/subtitles) as part of the Voyages and Discoveries series. Kobayashi's anthology of four supernatural Japanese folk tales creates quiet unease through mood. Bringing together ravishing colors, sets, … Continue reading →

The Cinema will screen Judy (Rupert Goold, U.K. 2019, 119 min.) "Legendary performer Judy Garland (Renée Zellweger) arrives in London in the winter of 1968 to perform a series of sold-out concerts."

The Dryden will screen Scrooge (Brian Desmond Hurst, U.K. 1951, 86 min., 35mm) as part of the Holidays, and Canon series. No holiday season would be complete without an adaptation of Charles Dickens's yuletide classic, and this is one of … Continue reading →

In their quest for authenticity, Driven To Tears incorporates elements culled from historic performances of The Police in concert, adding to the live experience. From "Roxanne" to "Spirits In the Material World; "Can't Stand Losing You" to "Wrapped Around Your … Continue reading →

The Cinema will screen Honey Boy (Alma Har'el, U.S. 2019, 94 min.) "A young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health."