The Cinema will screen Spy (Paul Feig, U.S. 2015, 120 min.) "A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster."

The Cinema will screen Terminator Genisys (Alan Taylor, U.S. 2015, 126 min.) "John Connor sends Kyle Reese back in time to protect Sarah Connor, but when he arrives in 1984, nothing is as he expected it to be."

The Little will screen Famous Nathan (Lloyd Handwerker, U.S. 2014, 86 min.) as part of the One Take Documentary Series. Director Lloyd Handwerker will be in attendance for a post-screening Q&A. Famous Nathan is the insider documentary by Lloyd Handwerker, … Continue reading →

The Cinema will screen Spy (Paul Feig, U.S. 2015, 120 min.) "A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster."

The Dryden will screen The Son of Kong (Ernest B. Schoedsack, U.S. 1933, 70 min., 35mm). Bogged down with lawsuits and money troubles following King Kong's charge through Manhattan, conscience-heavy producer Carl Denham boards the Venture, a ship captained by … Continue reading →

Three of New York's most in-demand virtuoso musicians, each with a distinctive voice on his instrument, explore and expand on Parisian musette. They bring this multicultural dancehall music to new places through the highest improvisational communication, emotionally honest performances, and … Continue reading →

The Cinema will screen Terminator Genisys (Alan Taylor, U.S. 2015, 126 min.) "John Connor sends Kyle Reese back in time to protect Sarah Connor, but when he arrives in 1984, nothing is as he expected it to be."

After playing up a storm last year at Garden Vibes—figuratively and literally— we've invited 2012 Blues Music Award winner Samantha Fish back to wrap up our summer concert series with her trademark guitar work and soulful vocals.

The Cinema will screen Spy (Paul Feig, U.S. 2015, 120 min.) "A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster."

From his humble beginnings as an Oklahoma folkie in the '60s to his wild ride through the '70s progressive country movement, and onward through the honky-tonk fog of the '80s to his sobriety-empowered comeback as a songwriter's songwriter in the … Continue reading →

The Dryden will screen Ozawa (Albert Maysles, David Maysles, Deborah Dickson, and Susan Froemke, France/Japan/West Germany 1985, 57 min., 16mm), and Horowitz Plays Mozart (Albert Maysles, Susan Froemke, and Charlotte Zwerin, U.S. 1987, 50 min., 16mm). A backstage look at … Continue reading →

Freddy and Francine is the result of a multitude of late-night writing sessions between Lee Ferris and Bianca Caruso. Drawing from influences like The Rolling Stones, The Swell Season and Ryan Adams, Hits Magazine says that "Freddy and Francine are … Continue reading →