Today from 5 p.m. to 7:30 p.m. in the RIT Cary Graphic Arts Collection, Paul Shaw will present In Defense of Fred Goudy. Frederic W. Goudy is widely acknowledged to be one of the titans of American type design—alongside Morris … Continue reading →

Animator Bill Plympton will be on hand for a screening of his film Cheatin' (Bill Plympton, U.S. 2013, 76 min.) at the Little at 7 p.m. In a fateful bumper car collision, Jake and Ella meet and become the most … Continue reading →

The first double-feature feature at the Cinema is Effie Gray (Richard Laxton, U.K. 2014, 108 min.) "A look at the scandalous love triangle between Victorian art critic John Ruskin, his teenage bride Effie Gray, and Pre-Raphaelite painter John Everett Millais."

Starting at 7 p.m. at the MAG, Sylvia Yount will present a Lecture titled Past as Present: Colonial Revivals.

As a girl, Violet was involved in a tragic accident leaving her with a visible scar across her face. With enough money finally saved, she's traveling across the deep south in 1964 towards a miracle - the healing touch of … Continue reading →

Tonight at 8 p.m., the Dryden will screen Wall Street (Oliver Stone, U.S. 1987, 126 min., 35mm). Bud Fox (Charlie Sheen) is a young, budding stockbroker, interested only in a successful business career. His unconventional dedication brings Bud to the … Continue reading →

The second double-feature feature at the Cinema is True Story (Rupert Goold, U.S. 2015, 99 min.) "When disgraced New York Times reporter Michael Finkel meets accused killer Christian Longo - who has taken on Finkel's identity - his investigation morphs … Continue reading →

Probably starting around 10 p.m. at Skylark is great classic rock/soul band Anonymous Willpower.

Tommy Brunett performs on the Center Stage at the Lilac Festival at 5:30 p.m.

Join us for our first Spring reception featuring an evening of food-inspired images by Kirsten Francis, food and lifestyle photographer out of central New York. Inspired by the places around her, Kirsten loves to shoot on location. She tells the … Continue reading →

Today at 7 p.m. in the VSW Auditorium is Hybrid Cinema with Michael A. Morris. Dallas-based filmmaker Mike Morris combines analog and digital technologies to create a unique form of audio-visual phenomenology. His work in film and video responds to … Continue reading →

Orestes 2.0 by Charles Mee is based on Orestes by Euripedes. The Euripides after-war play, re-set in the world today, in which veterans return from the Trojan War, to find that the disorder and nightmare of war has come home … Continue reading →