{"id":26019,"date":"2019-10-16T15:06:58","date_gmt":"2019-10-16T19:06:58","guid":{"rendered":"https:\/\/jayceland.com\/blog\/?post_type=tribe_events&#038;p=26019"},"modified":"2019-10-16T15:06:58","modified_gmt":"2019-10-16T19:06:58","slug":"silent-documentaries-program-screening","status":"publish","type":"tribe_events","link":"https:\/\/jayceland.com\/blog\/event\/silent-documentaries-program-screening\/","title":{"rendered":"Silent Documentaries Program screening"},"content":{"rendered":"<p>The <strong>Dryden<\/strong> will host a <strong>Silent Documentaries Program<\/strong> with live piano accompaniment by <strong>Philip C. Carli<\/strong> featuring <\/p>\n<ul>\n<li><strong>Las Hurdes<\/strong> (Luis Bu&ntilde;uel, Spain 1933, 30 min.)<\/li>\n<li><strong>\u00c3\u20ac propos de Nice<\/strong> (Boris Kaufman, Jean Vigo, France 1930, 25 min.)<\/li>\n<li><strong>Berliner Stilleben<\/strong> (L&aacute;szl&oacute; Moholy-Nagy, Germany 1926, 9 min.)<\/li>\n<li><strong>Manhatta<\/strong> (Charles Sheeler, Paul Strand, U.S. 1921, 11 min.)<\/li>\n<\/ul>\n<blockquote><p>While the earliest films were simple shots of real life as it happened, bringing images of faraway places and actions to the masses, the term \"documentary\" was not coined until 1926. Early forms of this new genre often used staged or re-created action to propel the narrative and reflect the director's vision. This program explores the elusive nature of documentary films in the silent period, including a surrealist look at a remote region of Spain, an atypical travelogue of the southern coast of France, and two city symphonies, one of Berlin and one of New York City.<\/p><\/blockquote>\n<p> <em>[source: <a HREF=\"https:\/\/www.eastman.org\/silent-documentaries-program\">George Eastman Museum website<\/a>, 2019-Oct-14]<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Dryden will host a Silent Documentaries Program with live piano accompaniment by Philip C. Carli featuring Las Hurdes (Luis Bu&ntilde;uel, Spain 1933, 30 min.) \u00c3\u20ac propos de Nice (Boris Kaufman, Jean Vigo, France 1930, 25 min.) Berliner Stilleben (L&aacute;szl&oacute; &hellip; <a href=\"https:\/\/jayceland.com\/blog\/event\/silent-documentaries-program-screening\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[3352],"class_list":["post-26019","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-jayceland-2019-oct-17","cat_jayceland-2019-oct-17"],"_links":{"self":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events\/26019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events\/26019\/revisions"}],"predecessor-version":[{"id":26080,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events\/26019\/revisions\/26080"}],"wp:attachment":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/media?parent=26019"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tags?post=26019"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events_cat?post=26019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}