{"id":12184,"date":"2017-04-05T13:32:30","date_gmt":"2017-04-05T17:32:30","guid":{"rendered":"https:\/\/jayceland.com\/blog\/?post_type=tribe_events&#038;p=12184"},"modified":"2017-04-05T13:32:30","modified_gmt":"2017-04-05T17:32:30","slug":"histoires-du-cinema-screening","status":"publish","type":"tribe_events","link":"https:\/\/jayceland.com\/blog\/event\/histoires-du-cinema-screening\/","title":{"rendered":"Histoire(s) du cin&eacute;ma screening"},"content":{"rendered":"<p>The <strong>Dryden<\/strong> will screen <strong>Histoire(s) du cin&eacute;ma<\/strong> (Jean-Luc Godard, France 1989&mdash;98, digital, 266 min., French w\/subtitles) as part of the Holocaust: Affect and Absence series. <\/p>\n<blockquote><p>Jean-Luc Godard transformed the face of cinema with his prolific, influential, and revolutionary body of work (Breathless, Weekend, and Contempt, to name just a few). But Histoire(s) du cin&eacute;ma is probably the towering achievement of a singular creative career spanning sixty years. Made over a decade, Histoire(s) du cin&eacute;ma is an extraordinary look at the medium through the eyes of this unique filmmaker. Hugely ambitious in scope, the series covers a wide range of topics from the birth of cinema to Hollywood to Italian neorealism and beyond. A dazzling montage of sight and sound, Histoire(s) du cin&eacute;ma features a diverse array of film extracts, the voices of&mdash;among others&mdash;Juliette Binoche and Alfred Hitchcock, and an eclectic music soundtrack ranging from Beethoven to Leonard Cohen. It ultimately boils down to a bitter indictment of the medium that has, according to Godard, betrayed its historical promise because it failed to confront the horror of the Holocaust by recording its images.<\/p><\/blockquote>\n<p> <em>[source: <a HREF=\"https:\/\/www.eastman.org\/event\/film-screenings\/histoires-du-cin%C3%A9ma\">George Eastman Museum calendar<\/a>, 2017-Apr-3]<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Dryden will screen Histoire(s) du cin&eacute;ma (Jean-Luc Godard, France 1989&mdash;98, digital, 266 min., French w\/subtitles) as part of the Holocaust: Affect and Absence series. Jean-Luc Godard transformed the face of cinema with his prolific, influential, and revolutionary body of &hellip; <a href=\"https:\/\/jayceland.com\/blog\/event\/histoires-du-cinema-screening\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[3196],"class_list":["post-12184","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-jayceland-2017-apr-6","cat_jayceland-2017-apr-6"],"_links":{"self":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events\/12184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events\/12184\/revisions"}],"predecessor-version":[{"id":12228,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events\/12184\/revisions\/12228"}],"wp:attachment":[{"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/media?parent=12184"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tags?post=12184"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/jayceland.com\/blog\/wp-json\/wp\/v2\/tribe_events_cat?post=12184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}