JayceLand

The Little will screen Close Encounters of the Third Kind (Steven Spielberg, U.S. 1977, 90 min.) as part of the Mondo Movie Series.

The Lovin' Cup will host The Mighty High and Dry, and an acoustic performance from excellent ska-driven rock from The Beaumonts.

Stroll paved, flat-surfaced Grove Avenue as you learn about residents of great wealth and status as well as those who had little but left a mark nonetheless.

Olivia Arnone will present a Focus 45 lecture titled Persuasion: The Photograph as a Medium of Influence.

What is hate? How does it shape our thoughts, identities, and communities? What can we do about it? Join Gandhi Institute director Kit Miller for an afternoon dedicated to exploring this seldom discussed topic through a variety of perspectives and … Continue reading →

The Dryden will screen Wild Style (Charlie Ahearn, U.S. 1983, 82 min., 35mm). Revolutionary in documenting an emerging subculture, Charlie Ahearn's seminal exploration of New York City's underground hip-hop and street art scenes casts pioneering DJs, MCs, graffiti artists, breakdancers, … Continue reading →

The Cinemark Tinseltown USA will screen Willy Wonka and the Chocolate Factory (Mel Stuart, U.S. 1971, 100 min.)

The Dryden will screen Kumonosu-jô (Throne of Blood, Akira Kurosawa, Japan 1957, 110 min., 35mm, Japanese w/subtitles). Throne of Blood draws on key philosophical and psychological arguments from Shakespeare's Macbeth to present an ambitious synthesis of diverse cultural, aesthetic, and … Continue reading →

The Dryden will screen Mädchen in Uniform (Girls in Uniform, Leontine Sagan, Carl Froelich, Germany 1931, 85 min., 35mm, German w/subtitles) as part of the Summer of Solidarity series. All of the girls in an oppressive boarding school for daughters … Continue reading →

The Cinemark Tinseltown USA will screen Willy Wonka and the Chocolate Factory (Mel Stuart, U.S. 1971, 100 min.)

In the Dorris Carlson Reading Garden at the Bausch and Lomb Library Building is a concert with the Mel Henderson Trio.

The Dryden will screen Too Late Blues (John Cassavetes, U.S. 1961, 101 min., 16mm). John Cassavetes's first studio-produced effort is still a very personal film set in the world of jazz. A young pianist (Bobby Darin) fights valiantly against selling … Continue reading →