At the beginning of April I wrote that I was starting Script Frenzy: a challenge to write a 100 page script in the month of April. Well the month is almost over, and — as you can see on Author's Page — I did indeed complete the task. Officially, I completed 103 pages (although it ended up a little longer when I tweaked the formatting.)
The story flowed pretty easily, and I had no problem sticking to my original "plan". In fact, I really didn't do much coercion (except for introducing the plausible-but-a-little-hokey cell-phone failure.) For the most part, the story just moved along of its own accord.
I re-read most of it and it seems pretty good. I did notice a few typos (like when Bob the waiter just drives off in their car, apparently) and sometimes I'd introduce a character or a place and a couple pages later the name would inexplicably change. But I noticed that the things I cringed at when I was writing — just to keep the flow going — don't seem nearly as out-of-place and absurd as I thought.
Not to brag too much, but I was impressed at the multi-faceted story arc, like the way the scenery changes with the organic changes in the characters. That was kind of a surprise.
I mentioned in the post introducing this that one of the things I learned from my NaNoWriMo experience was that I really needed to keep tabs on my characters. I made a separate document with the names of characters and any things I said about them, or about their past. It helped a lot. Plus, I only had two central characters, so keeping track of them was much easier.
I was kind of suspicious of how the "general strike" from the Occupy Wall Street folks happened. While I support organized labor, this was something different — more of a protest than a strike, and certainly not something the 99% got to vote on first.
But speaking of strikes, I definitely wanted to see Salt of the Earth at The Flying Squirrel Community Space (285 Clarissa St. Just recently, I read somewhere that it was banned in the U.S., fueling more curiosity. It's based on the real Empire Zinc Mine strike in New Mexico, and employs many people involved in the strike as actors. The reason it was banned is it was made during the time when Joseph McCarthy was performing what can only be described as witch-trials, and made by blacklisted people in Hollywood.
It's a powerful and moving account of the desperate need for unions. But the thing I found more intriguing was that it was realistic about what it takes to actually start a strike. Most fictionalized accounts focus on the outward conflict and its resolution. But this spent almost all its time with the people who, by striking, lost their livelihood and had to rely on handouts. To me, it's quite unfathomable: to decide that spending whatever savings I had, and then being at the mercy of the kindness of strangers is preferable to my working conditions is not a situation I've experienced. This is the decision Ramon must make when facing a wife and two children (with a third on the way) who rely on him as the sole breadwinner. They have nothing without him — literally, as the company also owns their home.
Their demand?: that Mexican-Americans be treated equally to Anglo-Americans.
1950. In America. And there are some who regard that decade as the most wonderful. Amazing.
Of course, it's not like today is necessarily any better: there are still millions of people who are working but either don't earn enough to survive, or their working conditions are dangerous or otherwise inhumane. Unions — and the legal protections for unions — are critical to the survival of the American people.
A month ago a friend of mine wrote a blog titled The real Killroys. In it she outlined how social media sites are, essentially, the nightmarish big brother we once read about. Basically, if you put a Facebook button on your site, whenever someone views your site, Facebook knows jee was there. In other words, Facebook has a dossier on every one of its users. And it doesn't matter if you log out of Facebook, you're still tracked. The same goes for Tumblr, Google, Digg, and all the others (but man, especially Google Analytics.) She noted that site owners either didn't know or didn't care that this was going on.
I also recall that Chris Guillebeau once wrote something about how when a website visitor sees ads on the site, jee naturally assumes that the site owner endorses (if not at least vets) the quality of the products advertised. I have been using Google Adsense which theoretically produced a few pennies of revenue, but I never got any control [well, technically, a little control] over what ads were placed.
And then there was the speed issue. I would often notice that although stuff from JayceLand.com would load quick, if the page stalled, it would be "Waiting for" digg.com, or google-analytics.com, or ecx.images-amazon.com, or pagead2.googlesyndication.com, or googleads.g.doubleclick.net — but almost never JayceLand.com.
So I stripped all that stuff off. I left the Weather Underground image. I know they also track, but at least it's something directly useful. So now it loads fast.
The Dryden Theater at George Eastman House (900 East Ave.) will be showing Sweet Sweetback's Baadasssss Song starting at 8 p.m. I kind of welcome the discomfort of experiencing a blaxploitation film, and according to the Eastman House website, "forty years after its initial release, this independently produced feature has lost none of its controversial edge. Though routinely considered mere exploitation fare, Van Peebles cri de coeur is instead a raw and innovative expose of a racially divided nation."
Dryden Theater calendar][all ages]
This evening from 6 p.m. to 9 p.m. at The Yards at the Public Market (280 N. Union St., #50-52, above Java Joe's) is the Opening Reception for the RIT: School of American Craft BFA Glass Exhibition.
The Yards website]
The Dryden Theater at George Eastman House (900 East Ave.) will be showing A Torinói ló(The Turin Horse) starting at 8 p.m. and again tomorrow at 2 p.m. The Eastman House calendar has this to say: "Turin, 1889: Friedrich Nietzsche embraces a horse to protect it from the vicious whipping of its coach; then, the philosopher's mind collapses. So goes the chronicle, but what happened to the horse? Hungarian master Béla Tarr (author of the seven-hour masterpiece Sátántangó) tells its story within the stark, monumental pace of a moral apocalypse. Warning: this is an endurance test in cinematic style."
Dryden Theater calendar][all ages]
This evening at 6 p.m. on Nextstage at Geva (75 Woodbury Blvd.) is What's Next: Regional Writers featuring The Presstitute by David Andreatta in which a struggling newspaper tries to stay ahead of a breaking story in its midst.
Geva Theatre website]
The Dryden Theater at George Eastman House (900 East Ave.) will be showing Zendegi va digar hich(Life and Nothing More...) starting at 8 p.m. From the Eastman calendar, "returning to the Koker region after an earthquake that claimed 50,000 lives, a filmmaker and his son sift through the aftermath in search of the child stars of Where Is the Friend's House? What they find is infinitely more complex and optimistic — a community in the process of rebuilding itself."
Dryden Theater calendar][all ages]
The Dryden Theater at George Eastman House (900 East Ave.) will be showing Surviving Life (Theory and Practice)(Prezít svuj zivot (teorie a praxe)) starting at 8 p.m. From the Eastman House calendar, "[Jan Svankmajer's] first feature after the death of his wife and collaborator Eva Svankmajerova is a sweet, somewhat autobiographical tale of a man who enters psychoanalysis after falling in love with a woman who appears only in his dreams."
Dryden Theater calendar][all ages]
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This page is Jason Olshefsky's list of things to do in Rochester, NY and the surrounding region (including nearby towns Irondequoit, Webster, Penfield, Pittsford, Victor, Henrietta, Gates, Chili, Greece, and Charlotte, and occasionally other places in Monroe County and the Western New York region.) It is updated every week with daily listings for entertainment, activities, performances, movies, music, bands, comedy, improv, poetry, storytelling, lectures, discussions, debates, theater, plays, and generally fun things to do.
Music events are usually original bands with occasional cover bands and DJ's with musical styles including punk, emo, ska, swing, rock, rock-and-roll, alternative, metal, jazz, blues, noise band, experimental music, folk, acoustic, and "world-beat."
Events listed take place during the day, in the evenings, or as part of the city's nightlife as listed.
Although I'm reluctant to admit it, it is a Rochester blog and I'm essentially blogging about Rochester events.
I also tend to express opinions, review past events, make reviews, speak of philosophy or of a philosophical nature, discuss humanity and creativity.
Oh, and it's spelled JayceLand with no space and a capital L, not Jayce Land, Jaycee Land, Jace Land, Jase Land, Joyce Land, Jayce World, Jayceeland, Jaceland, Jaseland, Joyceland, Jayceworld, Jayceeworld, Jaceworld, Jaseworld, nor Joyceworld. (Now if you misspell it in some search engine, you at least get a shot at finding it.)
It's also not to be confused with
Jake's World or JakesWorld which is a site of a Rochester animator.
While I'm on the topic of keywords for search engines, this update includes information for Thursday, May 3, 2012 (Thu, May 3, 2012, 5/3/2012, or 5/3/12) Friday, May 4, 2012 (Fri, May 4, 2012, 5/4/2012, or 5/4/12) Saturday, May 5, 2012 (Sat, May 5, 2012, 5/5/2012, or 5/5/12) Sunday, May 6, 2012 (Sun, May 6, 2012, 5/6/2012, or 5/6/12) Monday, May 7, 2012 (Mon, May 7, 2012, 5/7/2012, or 5/7/12) Tuesday, May 8, 2012 (Tue, May 8, 2012, 5/8/2012, or 5/8/12) and Wednesday, May 9, 2012 (Wed, May 9, 2012, 5/9/2012, or 5/9/12).
indicates an event that's a preferred pick of the day ... probably something worth checking out.
indicates a "guaranteed" best bet for the particular genre of the indicated event.
links to a band's page on GarageBand.com which offers reviews and information about bands.
links to a band's page on MySpace.com which is a friend-networking site that is popular with bands.